It was yet another “Wow, we had 4 people” meeting on a dark and stormy
night. Everybody had either walked and had ice blown into their faces
by the blizzard-force winds or driven and had to chip their cars out
of several inches of ice.
We decided that the April 2 performance would be a combination of the
April music and the Swan music. So it will be a subset of:
I will do timings, and we may decide at the last minute to do more
verses of the better-sounding ones rather than fewer verses of the
ones that don’t sound so good. Surprisingly, last night “April is in
my Mistress’ face was in the latter category, so I may ask Lisa to let
me know if anyone else is doing that one. Although the last I heard,
we may be the only group with more than 3 players.
That list is what we’ll be doing with John Tyson on March 15, so
please let me know if you aren’t able to print them all, so that I can
have enough copies.
If the weather improves enough that we start being able to work on
five-voice pieces, we may add the Vecchi “Il Bianco e Dolce Cigno” for
the May performance, but I think it’s too late to do it in April.
So here’s what we did:
- Bicinia, several Fantasias
- Bastienne, Bastienne, vous avÃ©s changÃ© d’amis
- April is in my Mistress’ face
- Me, me and none but me
- Arcadelt, Il Bianco e dolce Cigno
- Clear or Cloudy
- Josquin, Adieu mes amours
- Mouton, Adieu mes amours, double canon
- Quand je bois
I think “Adieu mes amours” will work well as part of a set about
having no money, with “Quand je bois”.
Here’s who I think is playing with us:
On April 2:
At the Walk for Hunger on May 1:
If I’m missing anyone, or including anyone erroneously, let me know as
soon as possible.
Dates to save
- March 8, only for people playing one of the gigs who can make it
- March 15. We’ll be meeting with John Tyson and concentrating on
the April 2 music. This meeting may take place at John’s place,
- March 22, only for people playing one of the gigs who can make it
- March 29 (this will be limited to and compulsory for the
people playing the April 2 gig.)
- Saturday, April 2, 2-4 PM, Central Square Library. We will be
playing for 15 minutes, either the river music or the drinking songs
- April 5, only for people doing the Walk for Hunger who can make it
- April 12, only for people doing the Walk for Hunger who can make it
- April 19, with John Tyson, again. We’ll be able to discuss the
April 2 performance, and do some of the stuff for the Walk for Hunger.
- April 26 (limited to and compulsory for the people doing
the Walk for Hunger.) Stuart (I think) told me he was mostly
concerned about Roaring Jelly rehearsals before NEFFA, and didn’t mind
missing this one.
- Sunday, May 1, Walk for Hunger. I haven’t set the schedule, but
it’s likely that it will be like last year, where we play the same 45
minute program twice, with someone else playing a set in
between ours, ending at about 3 PM. So plan on 12:30 to 3:00,
and coming to the Bugaboo Creek Steakhouse afterwards.
If you’re on the list of people who are playing, and you can’t make
the compulsory rehearsals, please let me know.
The next meeting of the Cantabile Renaissance Band will be on March 1,
2005, at 7:45 PM, at my place.
We’re going to run a few doubtful pieces from the setlist.
Then we’ll work pretty hard on the River music set for the April 2
I’ve started typesetting the next Dowland, Lasso vita mia, but I
think it might make sense to get back to new Dowlands after the Walk
for Hunger. But if there’s demand for sightreading difficult music
instead of just working on what we’re going to be performing, I will
finish it and we’ll do it. I didn’t feel that we got that much out of
the new Dowland we did last time, though.
Between 10 inches and snow and a contra dance at MIT, this was another
- Phalese Bicinia:
- O Maria, mater pia
- Per illud ave prolatum
- Qui sequitur me
- Sancti mei
- Fulgebunt justi
- Sicut rosa
- Campian, My love hath vowed he will forsake me
- Dowland two-part songs from Second Book:
- Flow my tears
- Sorrow, sorrow stay
- Dye not before they day
- Mourne, mourne
- I gave her cakes and I gave her ale
On the Campian, “My love hath vowed he will forsake me” we decided
that we will sing 4 verses, with solos on the A sections of 1-3.
Everyone not playing the bass will sing all B sections, and the A
section of verse 4. The bass part isn’t idiomatic for serpent, so it
will be played by cello and/or viol.
Here they are with pointers to the music.
If there’s any demand, I’ll do a booklet as I’ve done in previous
years, once the sets are a little more cast in concrete. So let me
know whether that would be helpful.
- Billings, By the rivers of Watertown regular
parts in original key.. Also transposed down a step, and the bass solo cued in the
other parts in the
2004 book, and with larger type but in the original key from the
2003 book. Please use the version
transposed down a step.
assis, aux rives aquatiques Please make
sure you have the most recent version, with letters A through F on all
- Gibbons, Silver
Swan A problem with the tenor part was
fixed on March 30; please download again if you printed it before that.
- Dowland, “Me, me and none but me”
- Arcadelt “Il bianco e dolce cigno”
- Possibly the 5-part “Il
bianco e dolce cigno”. This is contingent on being able to learn
it, which seems dubious to me since it’s been a while since we had a
rehearsal with enough people to cover the parts, and it doesn’t look
like this Tuesday will be an exception. Dropped for the May performance; we will get back to
learning it after that.
- Possibly other “Rivers of Babylon settings”. I particularly like
the one we sing in West Gallery to the Walter Scott “Dies Irae”
translation, which was originally published to a Thomas Campian
Streams” We will probably do an
instrumental and the first two verses of the vocal in May.
- Morley, Now is the Month of Maying
- Morley, April is
in my Mistress Face We may drop this for May.
- Dowland, “Clear or
Cloudy”. This one is also in the
2004 book with the Tenor A section printed with the Quintus B section.
- Maybe Campian, “My love
hath vowd hee will forsake mee” At March 1
rehearsal, we decided that we will sing 4 verses, with solos on the A
sections of 1-3. Everyone not playing the bass will sing all B
sections, and the A section of verse 4. The bass part isn’t idiomatic
for serpent, so it will be played by cello and/or viol.
- Morley “God
Morrow, fair ladies of the May”
This may be hard to learn in the time we have available, so a subset
of the group may do it.
The link I gave was to the original key; if we
do it we’ll do it a third down, so use it from serpent.laymusic.org
These are all in the
drinking songs book.
We’ll be selecting a 15 minute set for the Walk for Hunger, and
possibly also doing it at the BRS performance on April 2.
- He that will an Alehouse keep
- Let us drink and be merry
- 5 reasons
- He that drinks is immortal
- Tis Women
- I gave her cakes and I gave her ale
- Slaves are they that heap up mountains
- To Anacreon in Heaven
- Quant je boy du vin claret tout tourne
- Vignon, Vignon
- Changeons propos
- Vive la serpe Make sure you have the
version with one sharp.
I have ommitted several rounds that we could pretty easily work up,
so if anyone’s favorites aren’t here, let me know and I’ll add them.
I think at any particular performance, we wouldn’t do all of those,
but it’s good to have that many available.
Ishmael and I have a gig on Saturday, and I had told both Bonnie
and Barney when I saw them that there wasn’t going to be an alist
meeting this week, so that Ishmael and I could get together and go
over the stuff for that gig. Anne had mentioned that the 22nd was the day
she would be flying back from Spain, so she wasn’t going to make the
meeting. And I didn’t send out an email invitation, so I wasn’t
expecting anyone but Ishmael to show up. Ishmael locked the door when
he came in.
So we were about half way through our program, and Sunny started
saying someone was at the door. I didn’t believe him, but my doorbell
has been a bit flakey, so I went down to check, and sure enough, there
was Anne. She had decided she really should stay up until her normal
bedtime, and that would be easier to do if she were singing.
So we told her she could dance for us, and she did some dancing and
some listening, and we finished going through our stuff and got out
the Morley trios.
We started with “Good Morrow, fair ladies of the May”, which we still
tentatively have on the list for the Walk. It went fine with the
three of us.
Then we did “Hold out my heart”, and moved to the sad ones in part
two, with “Farewell, disdainful”.
That didn’t go so well that we thought we should end with it, so we
did “Quand je bois” to finish off with.
Then we looked at Anne’s pictures of Spain and listened to the rest of
“Bruce Randall’s West Gallery Quire featuring Laura Conrad on
What we did:
- Drinking songs
- Quant je bois
- Vignons, vignons
- Changeons propos
- Vive la serpe
- Go nightly cares
- From silent night
- Me, me and none but me
Please note that if I print out 4 copies of something, and don’t throw
any of them away, I expect that there are still 4 copies in our
rehearsal room the next time we want to sing this song. Please tell
me if you are taking music away — I put a lot of work into making
all the music I set publicly available, and I’m happy to help people
print it out, but I need to know that that’s what I’m doing if I think
I’m printing music for our rehearsals.
We only had 4 people, so we couldn’t try out the (5 part) Vecchi swan
piece. It’s probably not reasonable for this spring, but if we try it
soon, we can still change our minds.
Walk for Hunger
We are officially scheduled for the same time and place we’ve been
doing. I am attempting to set up the same kind of schedule we had
last year, with people doing half-hour solo sets in the morning, and
our group plus another one (I’ve asked the Quilisma Consort, but haven’t yet
heard back) alternating 45 minute sets in the afternoon.
So I need official commitments from people who want to play on May 1
from 12:30 to 3:00 PM. It will be the same spot we’ve been playing
at, on the Charles River at the Cambridge-Watertown line, across from
the Cambridge Cemetery.
Also let me know if you’re interested in doing a solo set.