A Graphic Example


[ebook on Sony reader]

A lot of non-technical people’s eyes glaze over when you start talking
about standard, non-proprietary formats. Mike
Cane
has come up with a graphic example of why you don’t
want one company owning the format of the books you read.

Apparently Sony requires any book sold for their reader in
their store to be formatted by them (at a cost of $200). And then
when they do it, it looks like that.

This hideous example is from Sony, for the Sony readers, but
the principle is the same for any proprietary format — if they
won’t tell you how to do it, you’re stuck with them doing it for
you, and you may well not like what they do.

This is why I don’t put music in proprietary formats on SerpentPublications.org.

Halfway through

Yesterday was my half birthday. This means two things:

  • In one year, I will be 59 1/2 and I will really own all the money in my
    retirement accounts.
  • I’m half through with this experiment in blogging every day.

I know I already told you about how I felt about being one third
down
, but I’ve had a couple of new thoughts since then, so I’ll
pass those on.

I think I’m writing some better. My current crusade is to use
the word “thing” less, and substitute a more specific noun.
I’m doing this in routine emails, as well as in these blog
posts.

I may be reading better, as a result of the fact that my
default is to write about anything I read that I really love
and want to tell people about. One of the more popular posts
on this 59’th
year experiment
was the one I wrote about Little Dorrit
after watching the BBC adaptation and rereading the book.
Part of what made that one good was that I took notes about what I
noticed and had to look up while I was reading it. I’m
currently rereading Anna
Karenina
, and I’m planning a similar post about it.

I did finally get a request from a friend to change something.
I had goofed and left his real name in some text copied from
elsewhere on the web, and my blog turned up on
the front page of a google search for his name, and he was starting a job
hunt. Of course, I immediately redacted his name. It does
prove that this blog has a higher google page rank than the
page from which I lifted the quote with his name in it.

Of the top ten most popular posts, four are about the Boston Early Music Festival. I
got a request this week from the American Recorder
Magazine
to use my blog post about the recorder
masterclass with Paul Leenhouts
, since the person who had
been assigned to cover it for them hadn’t come up with an
article.

I still don’t know much about who’s reading this blog, but the
numbers of readers are going up steadily, so someone must be
enjoying it, or finding what they search for in google on
it.

I still haven’t completely missed a day, although I admit that
days like last
Wednesday
are cheating a bit. But I had written real
content, just in other contexts from the 59’th year blogging
every day project.

Little House at the New Yorker

If you enjoyed the
Little House books
by Laura Ingalls Wilder,
there’s a New
Yorker article
about Wilder and her daughter,
Rose Wilder Lane.

I haven’t reread the books in a while, but here are some
thoughts that occur to me reading the article:

  • I hadn’t remembered that the Ingalls family were illegal
    settlers in Little House on the Prairie.
  • Part of the article is a survey of other literature about
    the books. There’s a lot of material for research here, since
    the original pencil-written legal pads on which Laura drafted
    the books have been preserved. It’s not clear whether we have
    the typewritten versions that Rose submitted for publication,
    but apparently the scholars are assuming that most of the
    differences between Laura’s drafts and the published versions
    are Rose’s editing. It gives one little confidence in
    literary scholarship as a whole that there the scholars who
    have examined this material come to drastically different
    conclusions about the extent of Rose’s contribution. Some of
    them apparently believe that Rose was the real author, using
    Laura’s drafts as raw material, and others believe, “Wilder
    demonstrated a high degree of writing competence from the
    beginning, and her daughter’s contribution to the
    final products, while important, was less significant than has
    been asserted.” (Quoted from John Miller in his introduction
    to Becoming Laura Ingalls Wilder. )
  • Another big part of the article is the history of the Wilder
    family reaction to twentieth century politics. They were
    supportive of the William Jennings Bryan free silver
    movement. Rose became a supporter of Eugene Debs, a
    socialist, later flirted with communism, and after that
    espoused what we now call libertarian principles, and in fact
    may have been one of the first people to use that term. Laura was a
    Democrat until the late 1920’s, but decided that the party was
    committed to taking money from the farmers and giving it to
    the urban poor, and was quite upset at the election of
    Franklin Roosevelt. She believed (ignoring railroads, free
    schools, and government-backed credit) that the Ingalls family
    had accomplished what they had with no government assistence.

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PLES RING IF AN RNSER IS REQIRD

Clearly, Owl had been dealing with delivery people. (If you’ve
never read Winnie
the Pooh
, you should.)

Monday, as I was thinking about scheduling a run to the store
for paper, I got an email from Staples offering me a case at a
good price. I also had a coupon for $25 off an internet order, so
I ordered paper and some other office supplies, expecting them to
be delivered on Tuesday.

Tuesday, I was printing a copy of the music for the West Gallery
workshop,
from time to time, and hoping the paper supply would
hold out until the delivery truck arrived. In the afternoon, the
doorbell rang, and instead of the paper, it was a package from
Amazon with the least useful 4 of the 8 items I’d ordered last
week.

Previously when I’ve ordered from Staples, the truck has
arrived in the morning, so I went online to see what the status of
the delivery was, and it said the truck had left it on my front
porch in the morning.

I went out and looked on all my neighbors’ front porches, and
there was no case of paper. So I called Staples, and they asked
the delivery person, who assured them he had left it on my
front porch, and that he had rung the doorbell.

At about 6 PM, I heard a knock on my door (I was downstairs
packing for the workshop — I can hear a knock when I’m
downstairs, but there’s no chance at all of hearing it when I’m
upstairs).

It was my downstairs neighbor. The packages had been left in
front of his door, and he’d needed to move them in order to get
out. So he hadn’t rung the doorbell (his doesn’t work, so he
assumes that nobody else’s does, either), or called me, or
emailed me.

In addition to the two boxes from Staples, there was another
box delivered by the UPS person, who had also not rung the doorbell.

In the end, it turned out that enough people did print copies
of music for the workshop, so getting the paper earlier would
just have meant I’d have killed more trees than I had to.

But I’m going to make myself WOL-type placards. Here’s the
section from Winnie the Pooh, if you want it in
isolation:

Owl lived at The Chestnuts, an old-world residence of great
charm, which was grander than anybody else’s, or seemed so to
Bear, because it had both a knocker and a bell-pull.
Underneath the knocker there was a notice which said:

PLES RING IF AN RNSER IS REQIRD.

Underneath the bell-pull there was a notice which said:

PLEZ CNOKE IF AN RNSR IS NOT REQID.

These notices had been written by Christopher Robin, who was
the only one in the forest who could spell; for Owl, wise though
he was in many ways, able to read and write and spell his own
name WOL, yet somehow went all to pieces over delicate words
like MEASLES and BUTTERED TOAST.

Winnie-the-Pooh read the two notices very carefully, first
from left to right, and afterwards, in case he had missed some
of it, from right to left. Then, to make quite sure, he knocked
and pulled the knocker, and he pulled and knocked the bell-rope,
and he called out in a very loud voice, “Owl! I require an
answer! It’s Bear speaking.” And the door opened, and Owl looked
out.

“Hallo, Pooh,” he said. “How’s things?”

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The Long Price Quartet

I just finished reading The
Price of Spring
, the last novel in Daniel Abraham’s
Long Price Quartet.

The four books are separate novels in the sense that there’s a
conclusion at the end of each of them, but it doesn’t really
make sense to not read them all in chronological order:

  1. A
    shadow in Summer
  2. An
    Autumn War
  3. A
    Betrayal in Winter
  4. The
    Price of Spring

Other reviewers have pointed out that the books get better as
they go along, which is true, but I don’t think you would
understand the way the characters interact if you hadn’t started
at the beginning. Even when they’re both old and dying at the end
of the last book, the way
Otah and Maati first met in the first chapter of the first book is important to understanding the story.

And even in the first book, the writing conveys weather, and
odors, and architecture, and furniture, and clothing, and the pains of
aging vividly. Here’s
a sample paragraph from near the beginning of A Shadow in Summer.

THE RAIN had ended and the night candle burned to just
past the halfway mark when Heshai-kvo returned. Maati, having
fallen asleep on a reading couch, woke when the door slammed
open. Blinking away half-formed dreams, he stood and took a pose
of welcome. Heshai snorted, but made no other reply. Instead, he
took a candle and touched it to the night candle’s flame, then
walked heavily around the rooms lighting every lantern and
candle. When the house was bright as morning and thick with the
scent of hot wax, the teacher returned the dripping candle to its
place and dragged a chair across the floor. Maati sat on the couch
as Heshai, groaning under his breath, lowered himself into the
chair.

I really enjoyed this series; while I was looking for a
paragraph to quote you, I started thinking about rereading it
again already, although it’s been less than a year since I read
the first volume. (The last volume has only just come out.)

I was first attracted by the vivid descriptions, but the depth
of character and the moral compass of the work as a whole are also
remarkable.

I would say that if you enjoy world-building fantasy, you
shouldn’t miss reading this book. Note that while the
world-building fantasy most of us know best is the Tolkein Lord
of the Rings
, I did not say to read this because it’s
anything like LOTR. It is, in the sense of having constructed a
world, but the world and the characters and the moral dilemmas are
completely different, and I can easily imagine someone liking
either one but not the other.


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Using a scythe

The Homegrown
Evolution
blog pointed me to Scythesupply.com. I
might not have told you about it, except that there was a really
obnoxious riding mower mowing the lawn in the park across the
street as I was thinking about what to write about today.

The descriptions in the ScytheSupply.com of how obnoxious
powered mowers and weedwhackers are are spot on, but I think
their description of what using a scythe is like may be a bit
less detailed than this, from Leo
Tolstoy’s
Anna
Karenina
:

Once in a previous year he had gone
to look at the mowing, and being made very angry by the bailiff
he had recourse to his favorite means for regaining his temper,–
he took a scythe from a peasant and began mowing.

He liked the work so much that he had several times tried his
hand at mowing since. He had cut the whole of the meadow in
front of his house, and this year ever since the early spring he
had cherished a plan for mowing for whole days together with the
peasants. Ever since his brother’s arrival, he had been in doubt
whether to mow or not. He was loath to leave his brother alone
all day long, and he was afraid his brother would laugh at him
about it. But as he drove into the meadow, and recalled the
sensations of mowing, he came near deciding that he would go
mowing. After the irritating discussion with his brother, he
pondered over this intention again.

“I must have physical exercise, or my temper’ll certainly be
ruined,” he thought, and he determined he would go mowing,
however awkward he might feel about it with his brother or the
peasants.

Towards evening Konstantin Levin went to his counting house, gave
directions as to the work to be done, and sent about the village
to summon the mowers for the morrow, to cut the hay in Kalinov
meadow, the largest and best of his grass lands.

“And send my scythe, please, to Tit, for him to set it, and bring
it round tomorrow. I shall maybe do some mowing myself too,” he
said, trying not to be embarrassed.

The bailiff smiled and said: “Yes, sir.”

At tea the same evening Levin said to his brother:

“I fancy the fine weather will last. Tomorrow I shall start
mowing.”

“I’m so fond of that form of field labor,” said Sergey
Ivanovitch.

“I’m awfully fond of it. I sometimes mow myself with the
peasants, and tomorrow I want to try mowing the whole day.”

Sergey Ivanovitch lifted his head, and looked with interest at
his brother.

“How do you mean? Just like one of the peasants, all day long?”

“Yes, it’s very pleasant,” said Levin.

“It’s splendid as exercise, only you’ll hardly be able to stand
it,” said Sergey Ivanovitch, without a shade of irony.

“I’ve tried it. It’s hard work at first, but you get into it.
I dare say I shall manage to keep it up…”

“Really! what an idea! But tell me, how do the peasants look at
it? I suppose they laugh in their sleeves at their master’s
being such a queer fish?”

“No, I don’t think so; but it’s so delightful, and at the same
time such hard work, that one has no time to think about it.”

“But how will you do about dining with them? To send you a
bottle of Lafitte and roast turkey out there would be a little
awkward.”

“No, I’ll simply come home at the time of their noonday rest.”

Next morning Konstantin Levin got up earlier than usual, but he
was detained giving directions on the farm, and when he reached
the mowing grass the mowers were already at their second row.

From the uplands he could get a view of the shaded cut part of
the meadow below, with its grayish ridges of cut grass, and the
black heaps of coats, taken off by the mowers at the place from
which they had started cutting.

Gradually, as he rode towards the meadow, the peasants came into
sight, some in coats, some in their shirts mowing, one behind
another in a long string, swinging their scythes differently. He
counted forty-two of them.

They were mowing slowly over the uneven, low-lying parts of the
meadow, where there had been an old dam. Levin recognized some
of his own men. Here was old Yermil in a very long white smock,
bending forward to swing a scythe; there was a young fellow,
Vaska, who had been a coachman of Levin’s, taking every row with
a wide sweep. Here, too, was Tit, Levin’s preceptor in the art
of mowing, a thin little peasant. He was in front of all, and
cut his wide row without bending, as though playing with the
scythe.

Levin got off his mare, and fastening her up by the roadside went
to meet Tit, who took a second scythe out of a bush and gave it
to him.

“It’s ready, sir; it’s like a razor, cuts of itself,” said Tit,
taking off his cap with a smile and giving him the scythe.

Levin took the scythe, and began trying it. As they finished
their rows, the mowers, hot and good-humored, came out into the
road one after another, and, laughing a little, greeted the
master. They all stared at him, but no one made any remark, till
a tall old man, with a wrinkled, beardless face, wearing a short
sheepskin jacket, came out into the road and accosted him.

“Look’ee now, master, once take hold of the rope there’s no
letting it go!” he said, and Levin heard smothered laughter among
the mowers.

“I’ll try not to let it go,” he said, taking his stand behind
Tit, and waiting for the time to begin.

“Mind’ee,” repeated the old man.

Tit made room, and Levin started behind him. The grass was short
close to the road, and Levin, who had not done any mowing for a
long while, and was disconcerted by the eyes fastened upon him,
cut badly for the first moments, though he swung his scythe
vigorously. Behind him he heard voices:

“It’s not set right; handle’s too high; see how he has to stoop
to it,” said one.

“Press more on the heel,” said another.

“Never mind, he’ll get on all right,” the old man resumed.

“He’s made a start…. You swing it too wide, you’ll tire
yourself out…. The master, sure, does his best for himself!
But see the grass missed out! For such work us fellows would
catch it!”

The grass became softer, and Levin, listening without answering,
followed Tit, trying to do the best he could. They moved a
hundred paces. Tit kept moving on, without stopping, not showing
the slightest weariness, but Levin was already beginning to be
afraid he would not be able to keep it up: he was so tired.

He felt as he swung his scythe that he was at the very end of his
strength, and was making up his mind to ask Tit to stop. But at
that very moment Tit stopped of his own accord, and stooping down
picked up some grass, rubbed his scythe, and began whetting it.
Levin straightened himself, and drawing a deep breath looked
round. Behind him came a peasant, and he too was evidently
tired, for he stopped at once without waiting to mow up to Levin,
and began whetting his scythe. Tit sharpened his scythe and
Levin’s, and they went on. The next time it was just the same.
Tit moved on with sweep after sweep of his scythe, not stopping
nor showing signs of weariness. Levin followed him, trying not to
get left behind, and he found it harder and harder: the moment
came when he felt he had no strength left, but at that very
moment Tit stopped and whetted the scythes.

So they mowed the first row. And this long row seemed
particularly hard work to Levin; but when the end was reached and
Tit, shouldering his scythe, began with deliberate stride
returning on the tracks left by his heels in the cut grass, and
Levin walked back in the same way over the space he had cut, in
spite of the sweat that ran in streams over his face and fell in
drops down his nose, and drenched his back as though he had been
soaked in water, he felt very happy. What delighted him
particularly was that now he knew he would be able to hold out.

His pleasure was only disturbed by his row not being well cut.
“I will swing less with my arm and more with my whole body,” he
thought, comparing Tit’s row, which looked as if it had been cut
with a line, with his own unevenly and irregularly lying grass.

The first row, as Levin noticed, Tit had mowed specially quickly,
probably wishing to put his master to the test, and the row
happened to be a long one. The next rows were easier, but still
Levin had to strain every nerve not to drop behind the peasants.

He thought of nothing, wished for nothing, but not to be left
behind the peasants, and to do his work as well as possible. He
heard nothing but the swish of scythes, and saw before him Tit’s
upright figure mowing away, the crescent-shaped curve of the cut
grass, the grass and flower heads slowly and rhythmically falling
before the blade of his scythe, and ahead of him the end of the
row, where would come the rest.

Suddenly, in the midst of his toil, without understanding what it
was or whence it came, he felt a pleasant sensation of chill on
his hot, moist shoulders. He glanced at the sky in the interval
for whetting the scythes. A heavy, lowering storm cloud had
blown up, and big raindrops were falling. Some of the peasants
went to their coats and put them on; others–just like Levin
himself–merely shrugged their shoulders, enjoying the pleasant
coolness of it.

Another row, and yet another row, followed–long rows and short
rows, with good grass and with poor grass. Levin lost all sense
of time, and could not have told whether it was late or early
now. A change began to come over his work, which gave him
immense satisfaction. In the midst of his toil there were
moments during which he forgot what he was doing, and it came all
easy to him, and at those same moments his row was almost as
smooth and well cut as Tit’s. But so soon as he recollected what
he was doing, and began trying to do better, he was at once
conscious of all the difficulty of his task, and the row was
badly mown.

On finishing yet another row he would have gone back to the top
of the meadow again to begin the next, but Tit stopped, and going
up to the old man said something in a low voice to him. They
both looked at the sun. “What are they talking about, and why
doesn’t he go back?” thought Levin, not guessing that the
peasants had been mowing no less than four hours without
stopping, and it was time for their lunch.

“Lunch, sir,” said the old man.

“Is it really time? That’s right; lunch, then.”

Levin gave his scythe to Tit, and together with the peasants, who
were crossing the long stretch of mown grass, slightly sprinkled
with rain, to get their bread from the heap of coats, he went
towards his house. Only then he suddenly awoke to the fact that
he had been wrong about the weather and the rain was drenching
his hay.

“The hay will be spoiled,” he said.

“Not a bit of it, sir; mow in the rain, and you’ll rake in fine
weather!” said the old man.

Levin untied his horse and rode home to his coffee. Sergey
Ivanovitch was only just getting up. When he had drunk his
coffee, Levin rode back again to the mowing before Sergey
Ivanovitch had had time to dress and come down to the
dining room.

After lunch Levin was not in the same place in the string of
mowers as before, but stood between the old man who had accosted
him jocosely, and now invited him to be his neighbor, and a young
peasant, who had only been married in the autumn, and who was
mowing this summer for the first time.

The old man, holding himself erect, moved in front, with his feet
turned out, taking long, regular strides, and with a precise and
regular action which seemed to cost him no more effort than
swinging one’s arms in walking, as though it were in play, he
laid down the high, even row of grass. It was as though it were
not he but the sharp scythe of itself swishing through the juicy
grass.

Behind Levin came the lad Mishka. His pretty, boyish face, with
a twist of fresh grass bound round his hair, was all working with
effort; but whenever anyone looked at him he smiled. He would
clearly have died sooner than own it was hard work for him.

Levin kept between them. In the very heat of the day the mowing
did not seem such hard work to him. The perspiration with which
he was drenched cooled him, while the sun, that burned his back,
his head, and his arms, bare to the elbow, gave a vigor and
dogged energy to his labor; and more and more often now came
those moments of unconsciousness, when it was possible not to
think what one was doing. The scythe cut of itself. These were
happy moments. Still more delightful were the moments when they
reached the stream where the rows ended, and the old man rubbed
his scythe with the wet, thick grass, rinsed its blade in
the fresh water of the stream, ladled out a little in a tin
dipper, and offered Levin a drink.

“What do you say to my home-brew, eh? Good, eh?” said he,
winking.

And truly Levin had never drunk any liquor so good as this warm
water with green bits floating in it, and a taste of rust from
the tin dipper. And immediately after this came the delicious,
slow saunter, with his hand on the scythe, during which he could
wipe away the streaming sweat, take deep breaths of air, and look
about at the long string of mowers and at what was happening
around in the forest and the country.

The longer Levin mowed, the oftener he felt the moments of
unconsciousness in which it seemed not his hands that swung the
scythe, but the scythe mowing of itself, a body full of life and
consciousness of its own, and as though by magic, without
thinking of it, the work turned out regular and well-finished of
itself. These were the most blissful moments.

It was only hard work when he had to break off the motion, which
had become unconscious, and to think; when he had to mow round a
hillock or a tuft of sorrel. The old man did this easily. When
a hillock came he changed his action, and at one time with the
heel, and at another with the tip of his scythe, clipped the
hillock round both sides with short strokes. And while he did
this he kept looking about and watching what came into his view:
at one moment he picked a wild berry and ate it or offered it to
Levin, then he flung away a twig with the blade of the scythe,
then he looked at a quail’s nest, from which the bird flew just
under the scythe, or caught a snake that crossed his path, and
lifting it on the scythe as though on a fork showed it to Levin
and threw it away.

For both Levin and the young peasant behind him, such changes of
position were difficult. Both of them, repeating over and over
again the same strained movement, were in a perfect frenzy of
toil, and were incapable of shifting their position and at the
same time watching what was before them.

Levin did not notice how time was passing. If he had been asked
how long he had been working he would have said half an hour–
and it was getting on for dinner time. As they were walking back
over the cut grass, the old man called Levin’s attention to the
little girls and boys who were coming from different directions,
hardly visible through the long grass, and along the road towards
the mowers, carrying sacks of bread dragging at their little
hands and pitchers of the sour rye-beer, with cloths wrapped
round them.

“Look’ee, the little emmets crawling!” he said, pointing to them,
and he shaded his eyes with his hand to look at the sun. They
mowed two more rows; the old man stopped.

“Come, master, dinner time!” he said briskly. And on reaching
the stream the mowers moved off across the lines of cut grass
towards their pile of coats, where the children who had brought
their dinners were sitting waiting for them. The peasants
gathered into groups–those further away under a cart, those
nearer under a willow bush.

Levin sat down by them; he felt disinclined to go away.

All constraint with the master had disappeared long ago. The
peasants got ready for dinner. Some washed, the young lads
bathed in the stream, others made a place comfortable for a rest,
untied their sacks of bread, and uncovered the pitchers of
rye-beer. The old man crumbled up some bread in a cup, stirred
it with the handle of a spoon, poured water on it from the
dipper, broke up some more bread, and having seasoned it with
salt, he turned to the east to say his prayer.

“Come, master, taste my sop,” said he, kneeling down before the
cup.

The sop was so good that Levin gave up the idea of going home.
He dined with the old man, and talked to him about his family
affairs, taking the keenest interest in them, and told him about
his own affairs and all the circumstances that could be of
interest to the old man. He felt much nearer to him than to his
brother, and could not help smiling at the affection he felt for
this man. When the old man got up again, said his prayer, and
lay down under a bush, putting some grass under his head for a
pillow, Levin did the same, and in spite of the clinging flies
that were so persistent in the sunshine, and the midges that
tickled his hot face and body, he fell asleep at once and only
waked when the sun had passed to the other side of the bush and
reached him. The old man had been awake a long while, and was
sitting up whetting the scythes of the younger lads.

Levin looked about him and hardly recognized the place,
everything was so changed. The immense stretch of meadow had
been mown and was sparkling with a peculiar fresh brilliance,
with its lines of already sweet-smelling grass in the slanting
rays of the evening sun. And the bushes about the river had been
cut down, and the river itself, not visible before, now gleaming
like steel in its bends, and the moving, ascending, peasants, and
the sharp wall of grass of the unmown part of the meadow, and the
hawks hovering over the stripped meadow–all was perfectly new.
Raising himself, Levin began considering how much had been cut
and how much more could still be done that day.

The work done was exceptionally much for forty-two men. They had
cut the whole of the big meadow, which had, in the years of serf
labor, taken thirty scythes two days to mow. Only the corners
remained to do, where the rows were short. But Levin felt a
longing to get as much mowing done that day as possible, and was
vexed with the sun sinking so quickly in the sky. He felt no
weariness; all he wanted was to get his work done more and more
quickly and as much done as possible.

“Could you cut Mashkin Upland too?–what do you think?” he said
to the old man.

“As God wills, the sun’s not high. A little vodka for the lads?”

At the afternoon rest, when they were sitting down again, and
those who smoked had lighted their pipes, the old man told the
men that “Mashkin Upland’s to be cut–there’ll be some vodka.”

“Why not cut it? Come on, Tit! We’ll look sharp! We can eat at
night. Come on!” cried voices, and eating up their bread, the
mowers went back to work.

“Come, lads, keep it up!” said Tit, and ran on ahead almost at a
trot.

“Get along, get along!” said the old man, hurrying after him and
easily overtaking him, “I’ll mow you down, look out!”

And young and old mowed away, as though they were racing with one
another. But however fast they worked, they did not spoil the
grass, and the rows were laid just as neatly and exactly. The
little piece left uncut in the corner was mown in five minutes.
The last of the mowers were just ending their rows while the
foremost snatched up their coats onto their shoulders, and
crossed the road towards Mashkin Upland.

The sun was already sinking into the trees when they went with
their jingling dippers into the wooded ravine of Mashkin Upland.
The grass was up to their waists in the middle of the hollow,
soft, tender, and feathery, spotted here and there among the
trees with wild heart’s-ease.

After a brief consultation–whether to take the rows lengthwise
or diagonally–Prohor Yermilin, also a renowned mower, a huge,
black-haired peasant, went on ahead. He went up to the top,
turned back again and started mowing, and they all proceeded to
form in line behind him, going downhill through the hollow and
uphill right up to the edge of the forest. The sun sank behind
the forest. The dew was falling by now; the mowers were in the
sun only on the hillside, but below, where a mist was rising, and
on the opposite side, they mowed into the fresh, dewy shade. The
work went rapidly. The grass cut with a juicy sound, and was at
once laid in high, fragrant rows. The mowers from all sides,
brought closer together in the short row, kept urging one another
on to the sound of jingling dippers and clanging scythes, and the
hiss of the whetstones sharpening them, and good-humored shouts.

Levin still kept between the young peasant and the old man. The
old man, who had put on his short sheepskin jacket, was just as
good-humored, jocose, and free in his movements. Among the trees
they were continually cutting with their scythes the so-called
“birch mushrooms,” swollen fat in the succulent grass. But the
old man bent down every time he came across a mushroom, picked it
up and put it in his bosom. “Another present for my old woman,”
he said as he did so.

Easy as it was to mow the wet, soft grass, it was hard work going
up and down the steep sides of the ravine. But this did not
trouble the old man. Swinging his scythe just as ever, and
moving his feet in their big, plaited shoes with firm, little
steps, he climbed slowly up the steep place, and though his
breeches hanging out below his smock, and his whole frame
trembled with effort, he did not miss one blade of grass or one
mushroom on his way, and kept making jokes with the peasants and
Levin. Levin walked after him and often thought he must fall, as
he climbed with a scythe up a steep cliff where it would have
been hard work to clamber without anything. But he climbed up
and did what he had to do. He felt as though some external force
were moving him.

The Color of Magic

This
DVD
is actually two episodes made for TV of the Pratchett
novels The Color of Magic and The
Light Fantastic.

Like Hogfather,
which was made a couple of years before The color of
magic
, it’s very faithful to
the
book
, and very inventive visually. This is unsurprising
because Pratchett himself was involved in the production. (He
even had a bit part in The color of Magic.) Not
everything in these movies looks the way I’d imagined it when
I read the books, but you aren’t going to find images that are
explicitly contradicted in the books.

I was watching with two friends, one of whom is also a
Pratchett fan, and the other hasn’t read any of his books. The
non-fan gave up and went home before the end of the first
episode. I had been wondering even before that happened whether
this movie was suitable for someone who hasn’t read the books.
Not that the books aren’t confusing and inexplicable in places,
but readers of speculative fiction are more used to that than
watchers of movies.

Also, although these were the first two books Pratchett wrote
about Discworld,
they probably aren’t the best place to start even for a reader.
I got started with Men
at Arms
, based on my principle of getting the longest book
on the library shelves at the moment, when I don’t have better
advice about where to start. When I loaned Bonnie one to start
with when she was first in the hospital, I picked Maskerade,
because of the music and overweight prejudice themes,
although when she liked it, I brought her Hogfather
pretty soon afterwards.

In general, the reason to start this series somewhere in the
middle is that Pratchett did get better. The later ones depend
an awful lot on character and plot development earlier in the
series, but the middle ones not so much, because there’s a lot
less character and plot development in the early ones.

So if you’re a Pratchett fan, you’ll probably enjoy these
movies. If you aren’t, watching Hogfather might
give you some idea of whether you might want to be one, but
you probably shouldn’t bother with The color of
Magic
until you’ve read at least some of the books. In
general, reading the books is better than watching the movies,
good as they are.


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La Marseillaise

Since I recommended reading the Declaration of Independance on
July 4, I decided to recommend reading (or, better, singing) La Marseillaise on July 14, Bastille Day.

It isn’t as strong of a recommendation; the writing really
isn’t as good, nor are the sentiments as elevating.

But you really have to understand 19th century European
nationalism to have any shot at understanding the way the world
is still organized in the 21st century. So you should read this
as well as the patriotic songs of other countries. And for
understanding why you should oppose war on almost all occasions,
there still isn’t any text better than Psalm
137.

This
site
has several versions of translations into English. The
one done by a French committee is interesting — I’d love to see a
summary of the discussion that led to “patrie” being translated “Motherland”.

If you’re in this area, we’ll sing all or most of the verses
tonight at the Cantabile Band
rehearsal tonight.

Torture in Tolkien

I’m rereading the Lord
of the Rings
, which I do every couple of years.

I’m at the house of Tom Bombadil right now. Thanks to Kate
Nepveu’s reread
on tor.com,
I’m enjoying the verse Tom Bombadil speaks in — I knew he had his
own rhythm, but I’d never noticed the rhyme scheme before.

So far, the only other thing that’s struck me as new this time
is thanks to the political debate on torture.

In the second chapter, The Shadow of the Past, Gandalf says to Bilbo:

What I have told you is what Gollum was willing to tell – though not, of course, in the way I have reported it. Gollum is a liar, and you have to sift his words. For instance, he called the Ring his “birthday-present”, and he stuck to that. He said it came from his grandmother, who had lots of beautiful things of that kind. A ridiculous story. I have no doubt that Sméagol’s grandmother was a matriarch, a great person in her way, but to talk of her possessing many Elven-rings was absurd, and as for giving them away, it was a lie. But a lie with a grain of truth.

The murder of Déagol haunted Gollum, and he had made up a defence, repeating it to his “Precious” over and over again, as he gnawed bones in the dark, until he almost believed it. It was his birthday. Déagol ought to have given the ring to him. It had obviously turned up just so as to be a present. It was his birthday-present, and so on, and on.

I endured him as long as I could, but the truth was
desperately important, and in the end I had to be harsh. I put
the fear of fire on him, and wrung the true story out of him,
bit by bit,
together with much snivelling and snarling. He thought he was misunderstood and ill-used. But when he had at last told me his history, as far as the end of the Riddle-game and Bilbo’s escape, he would not say any more, except in dark hints. Some other fear was on him greater than mine.

The emphasis is mine.

I had never before noticed that Gandalf had tortured Gollum,
using much the same rationale as the Bush administration.

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Hugo Award Voting

One of the things I have to do today or tomorrow is vote on who
should get the Hugo Awards.

I signed up as a supporting member of Anticipation so that I could get the
packet of nominated works as ebooks.

I’m going to discuss the novel category, since it’s the one I
most care about. I expect to read enough of some of the shorter
works to vote in some of those categories, but it’s having good
novels to read that I care most about.

Voting options

The way the voting is set up,
you rank your choices, and “No Award” is one of the
choices. So the first thing to decide about everything you read
isn’t “Should this get the award?” but rather “Would I rather
there were no award than that this should get it?”

Did you enjoy it?

This year’s field of nominees is quite strong, and they’re all
well-written, but there was one (Saturn’s Children)
that I disliked. If I were looking for a good book to read, and
picked that one up because it had won an award, I would be
annoyed at the people who gave it the award. So I’m going to
rank that one behind “No Award”.

Do you want to read another one?

The others are all books I really enjoyed reading, and I
wouldn’t feel that the voters had done me a disservice in voting
for any of them. So I have to look for some other criterion to
decide how to rank them.

I’ve decided that the next factor to consider about the effect
of an award is how it might influence the writers. So the
question here is not so much, “Did you like this book better
than the others?”, but “Do you wish other writers would write
more books like this one?”

Now obviously to some extent, each book in this genre is unique
— nobody else is going to write a book exactly like The
Graveyard Book
about a child growing up
in a graveyard raised by the ghosts. But lots of people will be
writing “coming of age” narratives about a child who struggles
to overcome an unusual background and join the “normal world”.
And I will read many of them and enjoy them.

Little
Brother
(Free
download
) was the first of the books to occur to me as in
the category of something I was glad had been written but I
didn’t want to read again, but now I’m not so sure. Certainly I
don’t want another coming-of-age narrative where Linux and
Social Networking save the world, but another coming-of-age
narrative where the intrepid hero realizes that the world he’s
being educated for is wrong in important ways and fights to
change it could certainly be enjoyable.

Similarly, Zoe’s
Tale
seems like a rewrite of all the Heinlein juveniles
where the intrepid heroine saves the world and learns martial arts, but
if you think about it, it’s been updated quite a bit. Both of
Zoe’s parents do a lot of nurturing, the discovery of the
opposite sex is a lot less embarrassing, and the characters’
dealings with aliens are interesting. I don’t mind at all that
Heinlein wrote one juvenile a year (timed to appear at
Christmas) for over a decade, and if John Scalzi wants to start
doing that too, it sounds like it should make a few people’s
Christmas buying easier. Whether they
should all win Hugo awards is another question, of course.

Old adult versus Young Adult

You may have noticed that the last three books I mentioned are
all Young Adult(YA) fiction. I don’t believe in being prejudiced
about this — many of my favorite books of all time (Little
Women
to name one) would be Young Adult Fiction if they were
published today.

Anathem
is definitely not Young Adult fiction, although in a way it’s
the same kind of coming-of-age and saving the world narrative
that the YA books have. To some extent this is a disadvantage
— there really isn’t enough character and plot for a 900 page
book, and there are a number of places where this reader wished
that it had gotten the kind of editing that the YA books
did.

The acknowledgements page credits a philosophical lineage
that can be traced from Thales through Plato, Leibniz, Kant,
Gödel, and Husserl.
Most of those writers couldn’t have
survived YA editing, either, so I suppose if you enjoy this book
(and I did), you have to be glad there are editors who will
allow the kind of digressions that turn this from a 350 page
novel to a 900 page tome. I do hope someone finds a middle
ground some day, though.

So how am I going to vote?

I don’t know. Part of why I wrote this was to see if I could
figure it out. Here’s what I’m leaning to right now; I may
change my mind before I actually vote.

  • Anathem
  • Little Brother
  • Zoe’s Tale
  • The Graveyard Book
  • No Award
  • Saturn’s Children


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