4 Cambridge Center
Cambridge, MA 02142
11:30 – 12:50 (Lunch)
Cambridge Brewing Co.
1 Kendall Square #100
Cambridge, MA 02139
1:00 – 1:50
Lord Hobo
92 Hampshire St
Cambridge, MA 02139
2:00 – 2:50
Trina’s Starlite Lounge
3 Beacon St
Somerville, MA 02143
3:00 – 3:50
Thirsty Scholar Pub
70 Beacon St
Somerville, MA 02143
4:00 – 4:50
The Kirkland Tap & Trotter
425 Washington St
Somerville, MA 02143
5:00 – 5:50 (edit: the website says they don’t open until 5:30, so assume a half hour slippage will happen at some earlier site.)
R.F. O’Sullivan & Son
282 Beacon St
Somerville, MA 02143
6:00 – ? (Dinner)
Closest finish T-stop = Porter Square Station
I’ll probably join at Lord Hobo or so, and leave when I’ve had
enough beer.
I had been surprised
by the way they pronounced it in the production I saw. If you
care, the New York Times has a long article on the
subject. The short version is that both pronounciations have
history behind them.
Cut the radicchio into wedges and bake them in a 350 degree
oven.
When they’re at the right degree of tenderness, sprinkle blue
cheese crumbs and balsamic vinegar on top, and put under broiler
until the cheese melts.
When I make this for myself for a main dish, I use half of a large head of
radicchio and put a layer of rice under the wedges. I like the
radicchip pretty al dente, so I only bake for 15 or 20
minutes. The broil part is only a couple of minutes.
The farm share ended last Thursday. I realized that it was
only towards the end of the summer that I was really using the
swap box right.
The swap box is a share box that’s put out so each shareholder can swap one thing that
they don’t want in their share for something they do want. I tend
to pick up my share fairly early, so I have a choice of pretty
much anything in the share; I suspect the people who come later in
the pickup period have fewer options.
What I realized was that there’s more in
the box than I can possibly eat, and I have friends who are
willing to take almost anything off my hands. So the thing to
concentrate on is what’s in the swap box that I want more of —
not what’s in the share that I don’t want any of. If there isn’t
anything that I can imagine using twice what’s in the share, I
don’t swap anything.
But usually there is. I just finished the second radicchio I
took a couple of weeks ago — they keep quite well, so since I
like them, having two instead of one wasn’t a problem. But the
parsley is quite nice, but I doubt that I would have finished two
bunches while they were still nice.
This last week I took a second bunch of mustard greens (leaving
the kale), which
work really well both in salads and with my <a href="http://serpentpublications.org/laymusic/?p=3540"rice and greens
breakfasts. They might wilt enough that you wouldn’t use them in
a salad before I finish them, but they’ll still be fine for cooked
greens.
One of my reactions to this
movie was, “They’re 41 and they think that’s midnight?” But maybe there will be another one, when
they’re really old, like 61, that will be After Midnight.
If you liked Before
Sunset and Before
Sunrise, you’ll like this one, too. It might even be a little
bit better than the others, as the actors and maybe other crew
members have learned things.
They’re all the story of a couple who meet on a train when
they’re in their early twenties in the first movie, meet again in
their thirties in the second movie, and have an emotional day
together as a married couple in their forties. They’re all very
conversational, like some of the Eric Rohmer ones from the 60’s.
(Ma nuit chez Maude was the one I discovered.)
There are three major scenes — one between Ethan Hawkes and
his son by his first marriage, whom he’s putting on a plane to
go back to his mother; one at the dinner table among the writers
and their wives and children who’ve been spending the summer
together in Greece; and a very long one between the couple, who
have been given a night together in a hotel without the
children, and with a bottle of good wine. They’re all really
pretty interesting, and the couple manage to be both very angry
and very attractive in the way we want romantic movies to show us.
The website says, “My mouthpiece dramatically improves the
tuning and makes the sound more direct and precise.” After a
day of fiddling with it, I agree about the sound, but I’m not
yet sure about the tuning. Sam warned me when he shipped it
that I would have to add some dental floss. Sure enough, as it
came from the box, it’s quite sharp, so I added dental floss so
that it wouldn’t go as far into the bocal, and then it was
flat.
So one of the things I spent a lot of time doing today was
playing tenor serpent notes into a tuner. I was originally
using the gstrings
tuner on my android phone. But it’s been telling me from time to
time that it has been superceded by something newer and better,
so I decided to look into that. The reviews complained a lot
about some features that were missing in the new version, called waves,
but enough people thought there were improvements, that I
decided to try it.
Sure enough, the tuning is much better. Gstrings was
occasionally picking up the wrong overtone, so I would be
playing a possibly out of tune E, and it would be telling me I
was playing A. It doesn’t look like Waves ever does that.
The missing feature is that if you’re asking it to play a note
for you, you can’t at the moment specify the
octave that the note comes out in. Gstrings would let you do
that, but if you didn’t have a speaker plugged in, the bass
notes were practically inaudible, so you were better off with
the octave it picked anyway. I did think about plugging the
phone into a speaker, but didn’t get around to it.
In any case, getting Waves doesn’t remove Gstrings, so if you
really want to do that, you still can.
One of the reasons to get a smartphone is to replace all the
little standalone electronic gadgets. I’ve had some problems
with things like a pedometer, which works, but drains the
battery too much to be usable. I’d say the phone does replace a standalone tuner pretty well.
This
book is billed as book three of a trilogy, but I understand
book four is already out in the UK.
LIke the first two books, it takes place in a near-future
dystopia where most of the human race has been wiped out by a
genetically engineered plague. I found it a little easier reading
than the others, partly because we’ve already met most
of the main characters. Also because the point of view stays
pretty focused on Toby, who is one of the easier characters to
identify with.
The descriptions of post-apocalyptic survival strategies are
quite interesting. For instance, figuring out what to do with
kudzu is one of their problems. There’s also a long discussion of
what you can and can’t still find in drugstores.
I wouldn’t say to start with this one, but if you’ve tried the
others and found them heavy going, you may like this one better.
The instruments used – such as lyre and reed-pipes – are known from, paintings and archaeological remains, such as this illustration from The Odyssey by Homer.
This
article is about a scholar who claims to be able to decode an
ancient greek music notation. I can’t tell from the article what
he really did, but you will enjoy listening to the recreation of
the music.