This
article is mostly about the Juliard early music department, but the hook
is the BEMF Young Artists mini-festival.
This
article is mostly about the Juliard early music department, but the hook
is the BEMF Young Artists mini-festival.
We played:
We’ll be having dropin meetings as usual on Tuesdays at 7:45 PM
at my place.
This flower just showed up in my garden, and I don’t know what it is.
It doesn’t seem to have any leaves — it’s growing out of a patch of woodruff, but I know what woodruff flowers are like.
We played:
We’ll be having dropin meetings as usual on Tuesdays at 7:45 PM
at my place.
Our playing at the Boston Wort
Processors Pignic was well-received. Ishmael, Jan, and I
played Susato, country dances, Ortiz and van Eyck.
The Wakefield Summer Band, with Laura Conrad on tuba, will be
playing its first concert this Friday, July 1, at 7 PM at the
bandstand on the Wakefield Common, as the sun sets over Lake
Quannapowitt. Come kick off the Fourth of July weekend with
marches, polkas, and concert staples. Other concerts this season
are scheduled for July 22, August 12, and August 26.
Is here.
Is
here.
Is here.
Is here.
Is here.
Joseph E. Morgan makes some good points about how demanding
BEMF can be of its audiences:
In all it was a wonderful concert that I enjoyed immensely.
Unfortunately however, several members of the audience around me did not. As part of my preparation for this review I did some research concerning the opera’s plot, music and libretto — preparation that is generally not expected of a concert-going audience. And yet, in a move that only be ascribed to their ambition to sell as many of their $10 “yearbooks” as possible (which included the complete libretto), BEMF did not distribute the typical program book for the performance. Instead they handed out single-page flyers that listed only the performers and sponsors. Coupled with the lack of supertitles, this left too many of the audience members completely ignorant as to what was happening on the stage before them. Despite the singers’ excellent diction, it is really rather difficult to make out a text in operatic performance — even if it is in English. Because of this several people left at intermission and I doubt that they will return next year.
Is here.
I sat through a Tallis Scholars concert once. I haven’t gone since.
They really aren’t about anything I like about Renaissance music.
Some of the reasons for this Jeffrey Gantz touches on in his article. So you’ll
have to read the articles I’m aggregating here if you want to know
more about it.