Report on the December 14, 2010 meeting

We played:

  • Pieces from Jacobean and Restoration Music for the
    Recorder
  • Tomorrow shall be my dancing day
  • Morley Canzonets for 3 voyces, XIIII through
    XVI
  • Vecchi and Arcadelt, Il bianco e dolce
    cigno
  • Purcell, ‘Tis Women
  • Ravenscroft, To Portsmouth

Schedule

The party will be this Sunday, December 19 at 5:30 PM. Please
note the later than usual start time.

I forgot to discuss whether to meet next week after this week’s
meeting, so we’ll have to do it by email. If you’ve been coming
regularly and would prefer not to come, let me know. If you would
particularly like to have a place to go play Renaissance music on
Tuesday, December 21, let me know. If I don’t hear that anyone
wants to come, I’ll cancel it, since I’m sure I’ll have lots to
do, but I’m happy to meet if people want to come.
I’ll let you know by Monday morning.

In any case, we will meet on Tuesday, December 28 and
subsequent Tuesdays at 7:45 PM at my place.

Party

I don’t require RSVP’s, since there will be plenty to eat and
drink, especially if everyone who comes brings some. But if you
know you’re coming, and what you want to bring, it would be useful
if you tell me, because people ask me what to bring, and it gives
me more idea of what to tell them.

Please invite people you know who might enjoy the party,
especially if you think they might be interested in joining the
group. You can point them to all the information.

The Messenger

This
movie
was the standard Hollywood movie on my Netflix Watch Now
list that I was up to watching after spending the afternoon at the
Pub Carol Sing.
It’s about two officers on the Army’s Casualty Notification Team,
whose job is to tell the next of kin that their loved one has been
killed in action.

One interesting thing about it was watching Woody Harrelson
play the jaded older officer, after all those years of watching
him on Cheers as the dewy-eyed young kid.

Another highlight was an actual explanation of why you might
knock
instead of ringing
: Woody Harrelson is explaining how they go
about doing their job and he says something like, “I always knock — there are a
lot of those doorbells that play some silly tune and if it’s going
‘Yankee Doodle went to town…’ and I start saying ‘The Secretary
of the Army wants me to extend his deepest sympathy…’, it just
doesn’t flow.”

Definitely worth watching if you’re tired, and maybe a bit
better than that.

<iframe src="http://rcm.amazon.com/e/cm?t=laymusicorg-20&o=1&p=8&l=as1&asins=B0036RPM8Y&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr&quot; style="width:120px;height:240px;" scrolling="no" marginwidth="0" marginheight="0" fram

The Skin Game

This
movie
was made in 1931, with a script by John Galsworthy and
directed by Alfred Hitchcock.

It’s historically interesting — the opening screens specify
that it’s a “talkie”, and there isn’t any music in the
background. In other words, it’s a filmed play, since they
didn’t yet have the modus operandi for making movies with
sound that developed later.

There are a few points where you can see flickerings of what
Hitchcock would become, but most of the cinematography is pretty
primitive. The picture quality of the DVD leaves something to
be desired, and the sound quality is really bad in some
places.

The script is the kind of annoyingly simple-minded diatribe
about the class system that the Galsworthy plays I read in high
school were. (The novels are much better.)

So if you’re interested in the history of film, see this movie,
but if you want good drama or great cinematography, look elsewhere.

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Report on the November 30, 2010 meeting

We played:

Schedule

We’ll be meeting as usual on Tuesdays at 7:45 PM at my place,
unless we decide to discuss the Tuesday before Christmas.

Party

The party will be on December 19, starting at 5:30 PM.
Consider starting earlier than that at the concert at the
Loring-Greenough house
.

I have designed two invitations:

All the graphics are by Dürer. The tagline at the top of the
foldable invitation is from To Drive the Cold Winter Away.

Report on the November 23, 2010, meeting

We played:

  • Gervaise, 14 Bransles de Champagne
  • Morley:
    • Blow, shepherds, blow
    • Deep Lamenting
    • Farewell, disdainful
    • Lady if I through grief
  • Cavendish, Come gentle swains
  • Morley, Arise, awake you silly shepherds sleeping
  • Mundy, Lightly she whipped oer the dales
  • Berg, Let us drink and be merry

Schedule

We’ll be meeting as usual on Tuesdays at 7:45 PM at my place.
There might be some modification to this around Christmas, but not
before that.

Party

This year, the only Sunday in December I could possibly have a party is
December 19. This is the day the Delight Consort, Judith Conrad,
director, with Paul Ukleja on cornetto is playing at the Loring
Greenough house, and I’d like to see it, and I suppose other
people may want to as well. The description is:

Sunday, December 19, at 3:00 pm. at the historic
Loring-Greenough House, 12 South Street, Jamaica Plain.

Judith Conrad with the Delight Consort performing music
ranging from the Spanish Renaissance to 18th century England, including
Christmas music by Tomas Luis da Victoria, Michel Richard de Lalande and
Samuel Wesley and music of Turlough O’Carolan and Baroque Londoners William
Williams and Johann Christian Bach. There will be a number of jolly holiday
songs in which the audience will be encouraged to join.

So we couldn’t get started until 5:30 or 6.

Saturday, December 18 and Saturday December 11 are also free on
my calendar. We tried a Saturday party once, and several people
got parking tickets although I had requested “consideration” on the
residents-only parking restrictions. I think everyone who
disputed the ticket didn’t have to pay, but it was a bit of a
nuisance.

So if you’d like to come, tell me which of those three days you
prefer, and which you wouldn’t be able to come on. I’ll make an
executive decision in the next week or so. If there isn’t enough
enthusiasm for a weekend party, we can just bring our Christmas
baking to a regular Tuesday meeting.

Report on the October 26, 2010, meeting

We played:

Schedule

The meeting next week will be in the usual time and place,
Tuesday, November 2, at 7:45 PM, at my place. Bea
has the key and will open up, and I’ll join you in progress if
closing up the polling place goes smoothly, and for a
much-deserved beer if it doesn’t.

After that, there will be normal dropin meetings for the
forseeable future.

Report on the October 19, 2010, meeting

We played:

Schedule

Next week will be a regular dropin meeting; the following week
is election day, but it sounds like there will be a meeting,
either at the usual place or at Stuart’s. After that I don’t know
why there wouldn’t be regular dropin meetings for a while.

The regular dropin meetings are on Tuesdays, starting at 7:45
PM, at my place.

Report on the October 12, 2010, meeting

We played:

Schedule

I don’t know of any reason why we won’t have our regular dropin
meetings on Tuesdays at 7:45 PM at my place
through the month of October.

On November 2, election day, I’ll be working as Warden of precinct 10-3 in
Cambridge, so someone else will have to run a meeting if you want
to have one.

Speaking of election day, people who aren’t registered to vote where they live should
register today, if they want to vote where they live in November.
Most offices are open until 8 PM.

Coco Chanel and Igor Stravinsky

This
movie
makes me feel a lot better about the ability of
cinematic costume designers to show us good clothes than the last
movie
about Coco Chanel I saw. The dress he seduces her out
of is just brilliant.

There are two other reasons the movie is worth watching. One is
the piano
lesson he gives her, where he has her play:

[first piano lesson exercise]

and then improvises on it underneath her. If piano lessons
were like that, I’d have stuck with them. But there’s no
evidence that she did.

The other is that the whole first 20 minutes is the original production
of The Rite of Spring that incited the riot. I’ve
never understood before why that music would have incited a riot
— it isn’t that different from what Debussy and other people
were doing at the time. But if you see the costumes and the
dancing, and realize, as Diaghilev remarks in the movie, “They
wanted to see Swan Lake,” the riot makes more sense.

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