Potato Blight hits New England

The email from my farm
share
this morning includes a warning that there have been
early signs in New England of a disease called “Late Blight”,
which is what caused the Irish Potato Famine. It includes
information about what to do if you notice things wrong with your
potatoes and tomatoes. You can read the whole article at The
University of Vermont Extension Site.

The symptoms that develop on tomato leaves, stems and fruit are quite dramatic, and are very obvious to the naked eye. The infected areas on leaves appear to be water-soaked, varying in size from a nickel up to a quarter, often beginning at leaf tips or edges. They proliferate when
the foliage has been exposed to watering, rainfall, or heavy overnight dews. If these infected areas dry out quickly, they may appear lime-green or beige in color.

The edge of the water-soaked area, either on the top or bottom of the leaf surface, will be covered with white fungal growth (mycelium) that contains the spore inoculum (visible with a hand lens). Spores are easily blown to surrounding areas and infect plants and even weed
species, in the plant family Solanaceae (the black nightshade family).

Brown to almost black lesions appear on infected stems, and the same lesions will develop on fruit, either directly on the infected plants, or a few days after they are sitting on your kitchen counters.

Please inspect your tomato and potato plants on a daily basis! If Late Blight symptoms are already appearing on plants in your garden, these plants should be removed immediately and put in a plastic bag for disposal. Don’t just put the removed plants in a compost pile as spores
will still spread from this debris. Your neighbors, not to mention commercial growers, will appreciate your taking this action immediately.

What I should be doing on the new site

I started the laymusic.org site before there
was such a thing as a Content Management System for a website. I
thought I was being pretty sophisticated by having it database
backed.

SerpentPublications.org
would indeed not be up yet if I hadn’t done that, but there’s
still a lot of stuff about the books and about why I do what I do
that’s in basic html at laymusic.org, and should be moved into wordpress.

I didn’t expect it to be that hard, because I’m using the raw-html
plugin for wordpress. So I was thinking that all I had to do was
to put two html comments around my html and put it in as a
wordpress post.

This is true as far as it goes, but consider the following
complications:

Links within the html
The content of the link has to be moved to the new site, and
the link has to be updated. This is easy enough on a one-by-one
basis, but doing thirty of them at once is a pain. I think I’m
not putting most of the pictures into the WordPress media
library; it’s just too much easier to copy them to a directory
and link to them there.
Links to the page
Until you’ve put the page into wordpress, you don’t know
what the link is going to be, and you don’t want to change any
links until you’ve published the new page. This means you have
to start at the bottom of the tree, and the set of links-to
relationships between my html pages is not a simple tree graph.
Redirect the page on the old site to the one on the new
site
A lot of people link to the old site, and I haven’t yet
gotten around to telling them all to change it, and when I do,
they’ll take their time about changing their links, at least if
they’re anything like me. So I want to keep the pages on the
old site, but have them redirect to the new site. This is
another thing I can’t do until I’ve published the page on the
new site, but want to do right afterward, since I’m doing a fair
amount of improving things as I move them, so I don’t want
people reading the old, inferior stuff when they could be
reading the new, improved stuff.

On a cheerful note, the new site is as much easier to make
additions to as I hoped it would be. On the old site, I would
spend a morning doing the additions after I’d made several of
them, but with the new site, I just do a “make upload” when I’ve
proofread a piece and think it isn’t too embarrassing.

One third down

I started this project of posting something to my blog every
day on February 25, four months ago. So if it ends up being a one-year
project, it’s one third done.

I have been successful at making a post every day. The only
one that was a real “I can’t post today” post was last Saturday.
And I really was over half way done with a fairly long and
difficult post
which I really did post the next day. John Scalzi, one of my
role models for doing this, is known for posting a picture of
his cat when he doesn’t feel like writing, but he’s also done,
“I don’t feel like writing today” posts.

You as readers can tell better than I can how well it’s worked
for entertaining the readers, but there do seem to be some
readers. I started keeping track of how many hits things have
gotten in April sometime. And it looks like even the most
inconsequential posts get a couple of dozen readers, and the
ones that get hit by a search, or have been pointed to in a
large mailing list, get hundreds.

Speaking as a writer, it has done some of what I wanted it to
— I now know a lot more than I did a few months ago how to pick
a subject I can write about in less than an hour, and how to
polish the 20-30 minutes of writing into coherence and then stop
and publish.

I was thinking it would be possible to see what the blogging
has done for my writing by reading the blogs from the Boston
Early Music Festival two years ago
and this
year.
Actually, there wasn’t as much difference in quality
of writing as I’d hoped for. The editing was definitely better
this year, and I think I’m more comfortable letting my
personality come out now. The quantity was definitely more two
years ago, but I remember that quantity as being very
difficult. This year I just decided it wasn’t possible to blog
and do 11 PM concerts and do morning concerts, so I just didn’t
do anything in the morning.

One disappointment about the blog as a way to connect with
people is that there really isn’t as much feedback as with the
other kinds of internet writing I do. If you post to a mailing
list or email a friend, it immediately becomes obvious if you haven’t
made your point. If you write a post on your blog, it’s quite
likely that you won’t get any comments at all. But it looks
like my audience has doubled in the last four months, so maybe
if I keep going I’ll eventually get an audience that
comments.

In terms of using the numbers of readers as a guide to what to
post about, it’s pretty inconclusive. It looks like of the easy
categories, the ones about food are read more than the ones
about the garden. The ones about using technology are also read
pretty often, probably because it’s something that people are
used to using google as a way to find answers for.

Another thing I hoped to accomplish was writing about my
experiences being involved in Bonnie’s death. That has
certainly happened more than it would have otherwise, but less
than I expected. This is partly because I still don’t have the
knack of breaking that subject up into small enough topics that
I can make those posts easy ones. Maybe I’ll get better at
it. Or maybe I’ll clear more time for hard posts, but that
doesn’t sound very likely. I’m still in the throes of the Serpent Publications
website
redesign, and when that’s done, I’ll have to move on
to redesigning this site.

The posts about books and movies are usually pretty easy, and
seem to get read fairly often. For the
most read one, about Little Dorrit, I
took the precaution of taking brief notes over the week or so I
was reading the book, so I ended up with several interesting
things already written. I should try to be more organized about
doing that.

One surprising thing is that none of the people who actually
know me personally seems to read the blog regularly. This
actually makes it easier — I don’t use anyone’s actual name
when I write about them, but I certainly sometimes say enough to
make it clear to someone who knows my friends who I’m talking
about.

So, Gentle Reader, do let me know what you think. If there’s a
topic you’d like more (or fewer) posts about, let me know. If
you’d rather have pictures of Sunny or the garden than “I can’t
post today” posts, let me know. If I’m being completely
incomprehensible about something, tell me and I’ll try to clarify.

Marley and Me

This
film
is exactly what you’d expect — Hollywood’s take on a
family’s love for its dog. I enjoyed it.

One thing some critics have said is that the
book
is a little bit less of a Hollywood picture of a
marriage. So that might be a good thing to read, some time when
you need an easy read, or one you can get from the drugstore or
airport bookstore.

The end of the movie is a tearjerker, but putting down a dog
you love is a difficult decision, and people should have seen
versions of it in other people’s lives. I thought the John Grogan
character’s verbalization of it was apt: Marley, you tell me when
it’s time. And the funeral where the children write letters to
Marley is beautifully done.

Of course the “world’s worst dog” subtitle is completely
unjustified; Marley doesn’t ever do anything that any dog doesn’t
do. The Kathleen Turner dog-trainer turn is brilliant, but not at
all fair to the dog-trainers I’ve known.

The least well-captured aspect of dog-ownership in the movie
was the other dog-owners in the park — my experience is that you
can get a great deal of support for dealing with a difficult dog
(and they’re all difficult sometimes)
from other dog-owners.

Hollywood doesn’t really try for the kind of accurate depiction
of a lifestyle that some of the European and Independant
film-makers do, but they really should have done better in the
scene where Marley decided stairs are too hard, even to sleep with
the family. He lies down in front of a blazing fire, which the
family is just leaving there as they go to bed. I’m sure this
isn’t what the real Grogan family does.

In terms of my personal situation, Sunny is at the stage where
he doesn’t always hear me come in, but he’s still dealing with
stairs. It will be a major decision point if he decides he can’t,
since I can’t carry him, and our apartment starts on the second floor.

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Last day stew

One of the things you have to do when a farm share is dumping a
large box of produce into your car’s trunk every week is have some
general recipes to use up the stuff from last week when the stuff
for next week is coming.

So Tuesday I put all the salad greens I still had into a salad
and fed it to the band. Then yesterday I made a stew of the
cookable stuff still hanging around.

This was basically the Bok Choy from the first week and the
Kale from last week. So I took two cans of tomatoes, a cup or so
of quinoa, two cups of liquid (in my case, a cyser that’s too dry to drink straight) a can of pinto beans (if I’d been organized, I would
have soaked beans early in the day, but I wasn’t), two medium
onions, several cloves of garlic, and some seasonings, and threw
everything in a pot. I sauteed the onions, the garlic and the
stems from the leafy vegetables in olive oil before adding them to
the pot. I let this simmer while I practiced tuba and recorder
and vocalized, and then had it for dinner.

I don’t have feedback from anyone else, but I went back for
seconds. It will be a good thing to have around for meals when I
don’t feel like cooking any of the wonderful things in this week’s
share.

Blu-ray discs

It took a while, but I finally convinced my new
computer
(not the exact model) to play a blu-ray disc. (The problem was that the
system as shipped needed at least two upgrades. It wasn’t
trivial to set up the sound either.)

The picture on blu-ray is indeed better than with a standard
DVD, and I don’t have a problem with paying Netflix an extra
$2/month to get blu-ray discs when they have them.

Unfortunately, the plan is to move this computer upstairs to be
my desktop. I don’t think the old computer is powerful enough to
play blu-ray even if I bought it a drive. So I’ll probably go
back to watching regular dvd’s when I finish setting up this
one.

If I decide after doing that that I miss the blu-ray enough to
buy a player, I’ll let you know. Of course, ideally I would be
able to play the disc on the computer upstairs and watch it on
the TV downstairs, but I think they work pretty hard to stop you
doing things like that. I’ll definitely let you know if I figure
that one out.

In case you’re wondering, the movie I watched was Slumdog
Millionaire.
I was a bit disappointed, given how much some
of the people I know had liked it. It was a good movie, with
one likable character, and good acting and photography, but it
was just a Hollywood movie. It was about an interesting
culture, but didn’t really have anything very enlightening to
say about that culture.

The advantage of watching this kind of movie at home
instead of in the theater is
that you can go feed the dog during the scene where they gouge
the child’s eyes out. So it is expecially nice to have the
extra resolution on a movie where there’s one scene you want to skip.

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Massachusetts health care

There’s an article on slate.com
this morning called
Bringing Down the House: The
sobering lessons of health reform in Massachusetts
. Slate
is a large organization, and some of the writing is a lot better
than others. This one isn’t one of their better efforts.

The gist of the article is:

The expensive Massachusetts plan is not well-designed to systematically improve anyone’s health. Instead, it’s a superficial effort to clear the uninsured from the books and then clumsily limit further costs by discouraging care.

In the heat of the moment, I posted this comment:

I think this article ignores the managed care option. I’m sure the discussion of up-front costs and copays is true for some plan that’s available, and it may be the cheapest per month, but my impression is that the purpose of the current cost structure is to drive people to managed care. This gives them hefty copayments for some expensive services, but makes routine preventative care practically free.

My own plan (one of the subsidized ones) has more copays than some
really poor people have, but the choice for the mother whose
baby has a fever would be between paying a $50 copay for the
emergency room and waiting for the doctor’s office to be open
and paying a $5 copay.

Thinking about it while walking the dog, I realized that a
better criticism of the article would be to point out how divorced
from any facts the author’s thesis was. If you want to argue
that a given system discourages care, shouldn’t you feel that you
have to present some statistics that show less care is being used
under the current system than under the previous system?

I’m not an expert, but certainly there have been reports in the
press suggesting the opposite — for instance, that the number of
primary care providers (PCPs) accepting new patients has dropped because
all the people who have insurance now and didn’t before have
signed up for a PCP and are using him or her.

My personal experience of the new Massachusetts system has been
pretty good, once I gave up on figuring out how to apply for the
subsidized care myself and got the social worker at the clinic I
go to to help me.

There are several major things wrong with health care in
Massachusetts, but the insurance requirement discouraging use of
health care really isn’t one of them.

Bonnie’s major blood loss on April 1, 2008

I mentioned yesterday that
reading about the Silverwood family sitting on the coral reef with
the father dying from blood loss because his leg has been mostly
amputated by a falling mast reminded me of the afternoon I sat
with Bonnie while
she was bleeding from her gastrointestinal tract and getting
transfusions so she wouldn’t die. The
timeline says this
was April 1, 2008, a couple of weeks after we were officially told
to assume that she wouldn’t recover, and a month and a half before
she actually died.

I was driving to a physical therapy appointment, planning to go
on from there to visit Bonnie a the rehab hospital in Salem. I
don’t believe in doing phone calls while I’m driving, and
certainly not the kind of phone calls where doctors are explaining complicated
procedures to you and asking you to make treatment decisions. The
part of Cambridge and Somerville I was in has pretty busy traffic,
but you can sometimes find a parking place to pull over into. So
with these several calls, I was sometimes able to pull over and
answer the phone, and other times I had to attempt to call the
busy doctors back and deal with the switchboard trying to find
them. (This is in a parking space, but with a lot of truck traffic
going by.)

So the first phone call said that she was bleeding heavily and
they wanted my permission to do a transfusion. So I said OK.

But then the questions got harder — did I want them to do an
endoscopy? Did I want the blood thinning medications stopped? (I
was surprised they were still doing blood thinning medications.)
Could I give permission to move her from the rehab hospital to the
Lahey clinic? I said I’d be there in about an hour, and we could
talk about it better then.

When I got to Bonnie’s room, it was bustling. Normally there
were the two hospital beds with patients in them, and the noises
the machines made that were breathing for the patients, and an
occasional visitor or nurse speaking quietly. But this time
they’d cleared a fairly large area around Bonnie’s bed, and there
were several people standing around doing things. Eventually I
sorted it out that there was a special nurse keeping an eye on
Bonnie because she was critical, and the people actually doing the
transfusion.

They were telling Bonnie she shouldn’t go to sleep. She was
conscious, and writing fairly clearly — one thing I remember
vividly was that she wrote “Will I die?” We asked her whether she
wanted the endoscopy. I think the way they put it was, “Do you
want to go to the Operating Room again?” She said, “Yes.”

At this point the decision had been made to stabilize her as
well as they could with the transfusions and then move her to the
Lahey Clinic, which was better set up to deal with patients like
her, and the endoscopy would be there if there was one. So I
stayed around to keep her awake until the ambulance people
came to “pack” her. (That is the word they use.)

I had left hymnals in her closet, and one of the things I
carried in the bag I brought when I visited her was Rise
up singing
. So I started with the lullaby section in that,
but then moved on to the other sections. I must have sung
several things I probably hadn’t sung since high school. One of
the nurses sang along. When I started having trouble singing
because I was crying, a nurse would come hug me. The special
nurse who was staying there was afraid of Sunny (one of the good
things about this rehab hospital was that they were tolerant of
well-behaved pets visiting the patients), so I kept him leashed on
the other side of the bed from her. He was unusually good about
getting out of the way of the people working on the transfusions.

It was a couple of hours later that the EMT’s came to put her
in the ambulance. By then, I think she wasn’t as cold from the
blood loss and the transfusion process. For reasons which are
completely obscure to me, I let them talk me into taking all her
stuff, which took up most of the available space in my car.
(There were things like the walker with the seat which she wasn’t
ever going to use again, and a giant teddy bear someone had given
her.)

I had a recorder lesson that evening, and it was interrupted by
calls from the emergency room at the Lahey Clinic. Some of what
they wanted to know was why she was on medications I’d never heard
of. They wanted to know how she was “coded”, which meant nothing
to me, but then they explained that she was “Do Not Resuscitate”,
which we had agreed to verbally, but I’d never signed anything.
(I’ve talked to people who believe that doesn’t happen.) The
doctor I spoke to told me that it was unclear whether she’d make
it through the night.

Of course, when I called the following morning, I wasn’t able
to get any information about her status because the nurse didn’t
have a “code” for her. (Different code — a password you can set
up when you’re there so they know you’re someone they can talk
to when you call.)

Eventually, they did do the endoscopy, and found no problems in
the part of the colon they were able to access. There was a
section that was so squeezed in by the cancer that they couldn’t
get to it to see it. But it looked like all the bleeding must
have been caused by the blood thinners, not by actual ulcers.

It was shortly after this that the doctors started discussing
hospice care with us. One of the things they emphasized was that
if she were in a hospice, she wouldn’t get the transfusions if she
started bleeding again. But they also wouldn’t be giving her IV
medication like the blood thinners, so in fact, she never did
bleed seriously again.

If I had it to do over again, I think I’d be more pro-active
about making sure I knew what medications were being given and
why.

I actually think it would have been better to die of the blood
clots earlier in the process than the way she actually died, but I
given all the decisions she made both before and after the stroke,
I can’t say I believe she agreed with me, so I really couldn’t
have made a different decision about the blood transfusion and the
endoscopy.

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Lilypond vs. Petrucci, round 3

After my last
post
on the subject of trying to get Petrucci-like spacing out
of lilypond, someone came up with a conceptually simpler way to
get equal spacing — just tell lily to treat all the notes as if
they were quarter notes. It isn’t automated yet. For each note,
you have to tell both the value to print and the fraction of the
note value to use for
spacing, and you effectively have to put the line breaks in by hand, but it really does look a lot more the way Petrucci did
it, and less like a nineteenth century engraver who thought a
breve was a large note value instead of a short one.

So here’s what the tenor part looks like now:

[lilypond equal-spaced output]

And to remind you, here’s the facsimile:

[petrucci's version]