Funeral story: How we found a gathering place in spite of the Catholic Church and the liquor laws

I’ll probably end up telling you several stories about my
mother’s funeral, but the one that surprises me that it should be
a story is this one.

The previous funerals we’ve arranged in Fall River were for my
grandparents. They had lived elsewhere, so most of the poeple who
came were friends of my mother’s, and we just invited them all
over to the house.

We originally thought we’d do that for my mother, but the
kitchen sink was clogged, the vacuum cleaner had stopped short
never to go again when my mother died. My mother died in Fall
River, Massachusetts, where
she’d lived since 1959, and knew a lot of people so we weren’t
really sure that there mightn’t be more mourners than the house
could handle even on its good days.

She wanted a Roman Catholic funeral, and the church she had
attended after she could no longer drive across town to the Polish
church, and before she stopped being able to walk even a few
blocks comfortably was willing to put up with what we wanted to do
with her ashes.

Unfortunately, it was built to accommodate the post-war
building boom, and Catholic churches of that era didn’t think
they’d need any kind of gathering hall in the building, so we
couldn’t just get someone to bring sandwiches to the church.

I told this story to a friend who comes from England, and she
said, “We just did my mother’s post-funeral reception at the local
pub.”

The dynamic young priest who founded the parish is popularly
believed to be why the whole parish is zoned so that there cannot
be a liquor license. So there is no local pub. Consequently,
there are of course a lot of stories of poeople getting killed in
drunk driving accidents.

When we were in the process of deciding that the vacuum cleaner
and the kitchen sink weren’t going to get fixed before the
funeral, my sister picked up the yellow pages and started looking
for function rooms. Of course, most of them are attached to
establishments that serve liquor, and therefore are nowhere near
the church which is centrally located in a large, sprawling
parish. (The funeral was a 9 in the morning, so we didn’t
actually want liquor, only some food and some space where people
could hang out and talk.)

But it turned out that my mother’s favorite bakery, about 5
blocks from the church and three blocks from my mother’s house,
was listed as having a function room. We called a friend and
asked him if he’d ever done a function there, and he said, yes,
he’d had a small party for the one-year anniversary of his
father’s death, and everybody just ordered what they wanted at the
counter and took it in the back room and he paid for it all and it
was really nice.

When we called the bakery, they were a little concerned that
there might be too many people for them to handle, but we promised
to call them with the number (this is one of the things funeral
directors do for you) and to send the overflow to our back yard.
There turned out to not only be the back room, but a very nice
garden with a few tables. Someone said that the Fall River Garden
Club gets the owner to come talk about succession plantings.

As it turned out, there were about 70 people at the funeral, of
whom about 25 came to the bakery, and about a dozen of those came
over to the back yard when the bakery started rearranging the
tables to accommodate the lunch crowd.

Early Music America reviews Boston Early Music Festival

I promised you more about BEMF, and some of what I want to
say will take place over several posts. But I got the Fall Early
Music America, and thought I’d comment on their reviews.

The fringe concerts are numerous, diverse, and crammed into a
small number of time slots when there aren’t official events, so
it isn’t that surprising that the EMA reviewers didn’t review any
of the ones I went to. But they at least mentioned all of the
“main stage” events.

I like the idea of 11 PM concerts, but in practice,
unless they’re very lively indeed, I often find myself falling
asleep, especially later in the week, which is strenuous for me.
So although I expected them to be good concerts, I didn’t go to
the Wednesday night lute concert (EMA: soothed an audience
of insomniacs
) or the Thursday night
Atalanta concert. I did as usual enjoy the Saturday
night Tragicommedia concert of German drinking
songs. But I would have been just as well off skipping the gaelic
song and harp music concert on Friday.

I agree that the Newberry Consort multimedia presentation of
the Cantigas de Santa Maria was one of the
highlights of the festival, and I’ll probably give you some more
about that later.

EMA calls Emma Kirkby’s Dowland performance “transcendant”, and
I agree with that. I was worried about going to a concert of lute
songs in a space as big as Jordan Hall, but it wasn’t a problem at
all, even though my friends and I decided to stay in the nosebleed
seats where my lingering cough wouldn’t disturb as many people.
(There’s also more leg room there — I don’t know why those seats
aren’t sold to the long-legged at a premium.)

EMA says “The Hilliard Ensemble brought an
admirable transparency and lucidity to a remarkably diverse
repertoire.” I liked the lucidity, but I would have prefered a
real program to the “greatest hits” approach they took. I liked
all the sixteenth century music better than
all the other stuff, so I’d rather they’d just played
that.

The Royal Wind Music concert did, as EMA reports,
blow the audience away, but I share the reservations of David
Schulenberg in the Boston Musical Intelligencer
that they made
a verbatim copy of what was on their CD in a repertoire that was
intended to be improvised.

News of the week of September 3, 2013

Meeting report

We played:

Schedule

We will be meeting as usual on Tuesdays at 7:45 PM at my place.

Other playing opportunities

Open band English country Dance

Jean Monroe writes:

Hope you will let the Renband know that the next Open Band at the
Harvard Sq English Country Dance will be Friday, Oct 11, and will be
led by Ishmael Stefanov-Wagner! Caller will be Barbara Finney. Tunes
will be available as much beforehand as we and the caller can
manage. I’ll send out a detailed email closer to the date, but as
usual there will be an optional-but-valuable workshop/rehearsal from
6:15 – 7:15 and the dance will run 7:30 – 9:30 at the Harvard-Epworth
Church, 1555 Mass Ave Cambridge.

Renaissance Ensemble at New England Conservatory

John Tyson writes:

We would like to let you know about a special opportunity for students
of Early Music.

The New England Conservatory of Music Renaissance Ensemble offers in
depth study and performance opportunity for serious students of all
instruments, both early and modern, and voice.

Repertoire will include:

A wide variety of Polyphonic Chamber Music and Dance Music

Improvisation and Ornamentation

An introduction to the beauty and joy of reading from original
notation

Thank you very much for sharing this with your friends and students.
For more information.

Diana Nyad’s swim

The
Times article
about Diana Nyad’s swim from Cuba to Florida is
inspiring.

Not that I’m ever going to assemble a team like that to do
anything, but it is impressive that when she hit a problem she
found an expert to address the problem.

She twice had to stop because of being attacked by jellyfish,
so she found a jellyfish expert, and ended up wearing a special
suit at night and covering her face with anti-jellyfish gel.

She had to give up one attempt because she got an asthma
attack, so this year, she had a pulmonologist on her team.

There’s also a cautionary tale about trying to do this without
enough support staff — a man claims to have done the swim in 1978
with only scuba gear, but he doesn’t have documentation to back it
up, so he doesn’t get the credit.

It also sounds like the weather (maybe aided by her
meterological staff) cooperated. She finished a day earlier than
planned. In still water she does long-distance swimming at the
rate of 1.6 miles per hour, but there were stretches where she was
in a current going 5 miles per hour.

Hugo Awards are announced

This
year’s awards
were announced last night.

Because the voting took place last June, when I had flu and the
Boston Early Music Festival and my mother got sick and died, I
didn’t blog about them the way I usually do.

There were two things LoneStarCon did differently this year
that cut into my ability to blog:

  • They didn’t really announce when the packet for voters was
    available, so it had probably been up for a few weeks before I
    downloaded it and started reading. So I only read the major
    categories (novel, novella, novellette, short story), and not
    things like related works, and I didn’t get around to watching
    any of the nominated films.
  • They also didn’t send me a copy of how I voted, and so now
    almost three months later, I can’t really tell you except for
    novel. I remember the quality being uniformly pretty good, so I
    had trouble making up my mind on almost everything.

I am disappointed with the result of the novel voting.
Redshirts won, and that was the only one I seriously considered
voting against. (You rank your choices rather than
voting for just one, and one of the choices is “no award”, so I
call it voting against if I rank something behind “no award”.) I
didn’t end up doing that to Redshirts, but I did
think the basic premise was puerile.

Other than that, I thought they were all pretty good. I hadn’t
read any Kim Stanley Robinson before, and I thought
2312 was brilliant, but that the writing was a bit
long-winded. Throne of the Crescent Moon was a
good example of a fantasy set in a non-european (Arab in this
case) environment. Blackout wrapped up the trilogy
with fewer loose ends than I would have expected.

In the end, though, I voted for Captain Vorpatril’s
Alliance
. I know I’ve declined to vote for previous books
because they were part of a long series, but this one is more
self-contained than most of the Vorkosigan books. It’s true
that you wouldn’t care about the characters as much if you
hadn’t seen them before. But the basic reason I voted for it is
that I just liked it better. It was the only one I’d read
before the packet came out, so I left it to the end, but then I
really decided I had to reread it. I’m not sure I’ll ever want
to reread any of the others.


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Column explaining Obama’s decision on Syria

Ross Douthat wrote a good column
in today’s paper explaining why Obama wants to do what he’s doing
in Syria. I don’t agree with the reasoning, but I think it’s a
better explanation of it than I’ve heard from anyone else,
including Obama himself.

You should read the whole column, but here are some excerpts:

…Of course there’s something arbitrary about telling a dictator he
can kill his subjects with bullets but not gas. But there’s
something arbitrary about any constraint we impose on lesser
powers. The point is to sustain an environment of constraint,
period — in which troublemakers are constantly aware they can only push so far before American military power pushes back.


Look: I know Thomas Aquinas wouldn’t endorse a war for American
credibility, and I know the Barack Obama of 2007 probably
wouldn’t either. But most of my post-cold-war predecessors
would, and did. And they’ve bequeathed me a world that — no matter what the headlines suggest — is more at peace than at any point in human history.

When I was trying to decide who to vote for in the
Massachusetts democratic primary in 2008, I ignored the argument a
lot of my friends were making that Hilary Clinton had voted for
the war in Iraq and Barack Obama hadn’t. I said that Obama had said he
wouldn’t have, but he wasn’t in the senate then, and wasn’t
subject to the pressures that the actual senators were, so we
didn’t really know whether he would have voted for the war.

I think this decision, and several others Obama has made since
becoming president, justify my reasoning. Having a job like
President changes you, so you have to decide who should get that
job based on how well you think the person will deal with those
pressures, and not on what the person says about what he’ll
do.

For the record, I did actually vote for Obama over Clinton. I
felt sorry not to vote for Clinton, who has more in common with me
than any other candidate in my lifetime, but the endorsements by
senators who had presumably worked with both of them swayed me.
Also the position papers on some of the tech-related issues I care
about suggested that Obama had more people in his circle who also
cared about such things. I’ve been somewhat disappointed in his
record on those issues, though, so I was probably doing what my
friends in the peace movement did on peace.

Comments now disabled after two weeks

John Scalzi wrote a
long, thoughtful post
about what comments do and don’t do for
a blog.

His suggestion was that for a blog like this one, where
comments do not contribute significantly to the content of the
site, it might make sense to disable commenting after a few days,
or even entirely.

The spam comment is one of the things that makes reading my
mail more of a chore and less of a pleasure. If you don’t have a publicly
accessible blog, spam comments like, “Wonderful blog, I have
bookmarked it,” seem to be something any human can
spot in a small number of seconds, but computers can’t catch at
all. So I thought about Scalzi’s remarks, and went ahead and did it.

Now, you have fourteen days to comment, and after that, comments
will be closed.

If you really have a comment that will add something, of course
you should feel free to let me know and I’ll open that post or put
your comment up myself or something.

Wonderful new python interface silently makes a decision for you

While I was testing to make sure the above was true, I found
that all the recent posts, which I have been making via my python
script, had the comments closed.

This turns out to be because a variable, whose allowable
contents aren’t documented (in the python documentation — they
probably are part of the API) defaults to ‘closed’. I made a wild
guess and set it to ‘open’ and that seems to have fixed the problem.

Going Postal

We had a movie night last week to watch the film of Going
Postal
. The
book
is one of the better of Terry
Pratchett’s
more recent books. (I like Making
Money
even better, but you should read Going
Postal
first.)

There were three of us — I’ve been reading everything by
Pratchett that I could get my hands on since about 1998, a friend
who is a big Pratchett fan but also a very busy man, so he’s
probably read about half of the Discworld books, and was only
halfway through Going Postal when we saw the movie, and
another friend who has only vaguely heard of Pratchett. (Also two
dogs — Sammy was sick
and Monte was feeling abandoned by both his mommies (my mother
died and my sister went to Europe), and not yet settling in well
at all.) The food was Taiwanese from the excellent restaurant across
the street.
The big hit was the octopus with mustard greens.
The beer was a selection from the Pratchett fan’s refrigerator,
heavily weighted to the barley wines.

We all (except for Monte) enjoyed the show — it’s quite faithful to
the book, so I wasn’t in any suspense. I also wasn’t so riveted I
insisted on pausing it when Monte demanded to go out and look for
his Mommy. I did leave it in my Netflix streaming queue so that I
could go back and catch up, but haven’t yet felt obligated to do
that.

When you finish a streaming movie on Netflix, you get a chance
to rate it from one to 5 stars. I usually give things that turned
out about as well as I would have expected before I watched them
three stars, but I was feeling good enough about the evening as a
whole to suggest four. The Pratchett fan suggested five, but he
hardly ever sees movies at all, so he deferred to my judgement.
The non-fan said she’d enjoyed it but prefers movies to
not have people hanging by their fingernails off of tall
structures. Having clacks towers that people get pushed off of is
pretty integral to the plot of this book, so the rest of us
declined to downgrade the move on this ground.


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Daniel Abraham’s Dagger and Coin Series

Daniel Abraham’s website has A
good synopsis of this series.

It’s projected to be 5 books, of which three have been
published. I finished the third, The Tyrant’s Law last
night.

Each chapter is from the point of view of one of four
characters. I remember finding the first volume, The Dragon’s Path, a
little slow to get into. And then I was muttering that some of
these point-of-view characters are more interesting than others.
In the second book (The
King’s Blood
), one of the point-of-view characters (Dawson
Kalliam) has died and been replaced by his wife, Clara. This is
an improvement, in that Clara is more interesting than Dawson.
Also, it removes the security you often feel in a long-running
series that of course they won’t kill off a major character. (At
least without the actor being interview in the newspaper.) George
R. R. Martin did the same thing by killing off Ned Stark, a main
character in The Song of Ice and Fire, at the end of
the first volume.

I (and apparently the Hugo award nominators) have been finding
multi-volume works really interesting these days. I always said I
liked novels better than short stories because you got a lot more
reading for the same work of figuring out who the characters are
and what their problems and relationships are. A multi-volume
series has the same advantage over a novel. Of course, some of
them can become repetitive, but with a good writer like Daniel
Abraham, it hasn’t happened yet in this series. Partly it’s because his gift
for describing places has different places to work on in each
volume. I’m also impressed that he manages to provide both more
character and more plot per page than a lot of writers do.

This series considers a lot of important questions like, “Why
do bankers have power?” and “How do wars get started?” Maybe the
last couple of books will explain how wars get ended, too. I’m
looking forward to the last two volumes.


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