Tag: music

We’re starting to get settled on the program for the concert
we’re playing at the Boston Public Library at 2 PM on December
17, in the Rabb Lecture Hall. There’s not a lot of time for
rehearsing, so we’re having to limit the amount of new stuff we
play, but these are mostly people who haven’t heard us before,
so it won’t matter to them.

There will be three sections, with me playing Diego Ortiz
Ricercada’s in between sections.

First there will be songs about drinking, dancing, and
smoking. Most of these we’ve performed many times before, and
the one that we haven’t is mostly a vocal solo by a very
experienced performer.

Then there will be a group of “religious” music. When you
first start playing Renaissance music, you tend to think that
everything religious was church music and everything secular was
performed in the home, but in fact there were wide swaths of
Europe where the established church discouraged polyphony in the
church, and people liked it, so they played it in the home. There
are a couple of carols that everybody knows, and a Byrd about
Susanna, and a round about Judith and Holofernes.

The last section will be all Thomas Morley. We’re mixing the
Fantasias from the Two-voyce canzonets with the vocals from both
the two and three voice canzonets.

There’s a flyer, which includes the program
which you should give to all your friends. If you’re someone
who could possibly go to a 2 PM concert in Boston’s Back Bay,
you should come.

The Harvard
Square English Country Dance has open band several times a
year, where anyone who’d like to play for dancing can join in.

I’ve been three times in the last year. The first time was a
bit intimidating — the band leader clearly thought she was
offering constructive criticism when she said I was playing on the
back of the beat, but I couldn’t even hear what she was talking
about, let alone figure out what to do about it. But the playing
was fun when I wasn’t feeling criticised, and the tune list worked
well on recorder. I brought both serpent and recorder, but ended
up playing mostly recorder, since even I can hear some rhythm
problems when I’m playing serpent.

The second time I was just invited to sit in when it wasn’t an
official open band. The good part about that was that I danced
for the first half of the evening, and then just sat in on the
second half. I was surprised that they wanted the serpent to play
the tunes, which I hadn’t practiced. They were happier with the
serpent than the first leader had been, but still made cryptic
comments about how my recorder playing could stand to sacrifice artistry
for rhythm. (This was during the
dance — during the rehearsal I’d specifically asked if they
wanted me to change anything and had been told it was fine.) The
playlist was mostly pretty good for C recorder, but there was one
piece that just plain didn’t work for C recorder. The recorder
player in the band played it pretty well on his alto recorder, so
I was embarrassed that I hadn’t brought mine. This is part of why
I spent the summer playing dance music on the G alto.

Last night I had practiced the tunes on both serpent and
recorder, and carefully marked on the tune list which ones would
work on G recorder. But I noticed that it was really not as
recorder-friendly a tune list as the previous two. It turned out
that this band was really excited about having the serpent play
drones. There was a good bass player, so the oom-pah rhythm bass
was covered, and several of the tunes did work over a drone, which
is a lot more fun on serpent than it is on most instruments. It
was a pretty big band with lots of other melody instruments, so I
ended up not playing much recorder, although nobody complained
about it when I did play. But the G alto as country dance
instrument is still fairly untested. The serpent did feel a lot
better about it than about the two previous experiences. The bass
player took one dance off to dance, and complimented me when he
came back to play.