I have arrived

[dorm room ]

Budget dorm room at Amherst

At the Amherst Early Music Festival at Connecticut College in
New London, Connecticut.

The dorm room is a bit spartan — no mirror on the wall, no
hangars in the closet, no wastebasket. There are two power
outlets and an ethernet connection, but the ethernet connection is
10 feet from the nearest power outlet. So at the moment, I’m
trusting the wireless ethernet, since I know the battery on this
machine gets hungry fast.

But for compensation, the acoustics for playing Renaissance
instruments are wonderful.

I met the cornetto teacher (Stephen Escher) seems to be
pleasant, and not freaked out by having a serpent player.

An improvement on previous years is that they posted the class
schedules before the orientation session. The have indeed given
me 4 brass classes.

So it looks good so far. I’ll tell you more when I’ve met the
classes.

[serpents unpacked]

Serpents unpacked

Grape vines in East Cambridge

[back yard with grape arbor]

Yard with grape arbor

One of my favorite gardens in East Cambridge has a grape
arbor over the whole yard. They can have a fairly large party
there, and when you walk by in the fall the smell of the grapes
is wonderful.

[grape leaves with fungus]

Grape leaves with fungus or something

This year, although there are a fair number of green grapes,
there seems to be something wrong with a lot of the leaves. I
hope it’s not serious.

[green grapes]

Green grapes

Fireworks

I live in Cambridge, less than a mile from the Charles
River. When I first moved here, I figured out that it was fairly
easy to walk down to the river on the evening of the Fourth of July and watch the fireworks being set
off from a barge near the Esplanade on the other side of the river.

At that time, there weren’t giant speakers blaring the music of
the concert, but usually people had brought boomboxes and you
could hear the end of the concert just before the start of the
fireworks.

My schedule was to leave my apartment when they started the
1812 overture. I would see the fireworks at the end of that piece
from Kendall Square, and then walk to Memorial Drive (closed to
traffic for the event) in front of the MIT East Campus to the
strains of “The Stars and Stripes Forever”, watch the fireworks
with the large crowd, and walk home.

At some point in the 90’s they started having large speakers on
the median strip
playing the concert overamplified. They also changed their
schedule, and had the pop star of the year perform after the
1812
Overture
and before The Stars and Stripes.

Then in about 1998, they decided to have recorded music
“synchronized” to the fireworks display. People who watch it on
TV actually seem to like this, but if you’re not where the TV
cameras and sound recording are, of course the synchronization
isn’t very good. And fireworks are too loud by definition, but
accompanied by music that’s too loud, it can be literally
painful.

So while I still enjoyed the fireworks, it was an enjoyment
increasingly mixed with a “Why are they doing this to me?”
feeling.

So there have been several years when I accepted cookout
invitations in some other town, and the year before the hip
surgery I was in Cambridge, but I just couldn’t face walking a
mile there and back, standing for an hour or more, and still
having to walk the dog when I got back, so I just walked the dog
around the block, where we could see a little of the highest
rising fireworks.

Yesterday, I was feeling disgruntled and not much like
community celebration, so I walked the dog at 9:30 so that we’d be
home before the large crowds were walking by our house on their
way home. This turned out to be during the 1812
Overture
, and we could see those fireworks pretty well from
the athletic field we had walked to. So we got home and watched
the Pop Star of the year (country singer Toby Keith), and when the
fireworks started, I went out to see how much I could see of the
fireworks without going anywhere much.

It turns out that the new park across the street affords a
pretty good view, and there were several neighbors to watch with.
Of course, you didn’t see any of the low-lying display, but you
often don’t see that very well from the river, either. And it’s
far enough away that the sound and the light of the display are
pretty badly out of sync, and of course the sound isn’t as
exciting as it is closer. But those disadvantages are really
worth it to not be bombarded by the overamplified “music”.

Going to Amherst

Or, less colloquially, The Amherst Early Music
Festival
, which this year takes place at Connecticut College
in New London, Connecticut.

The reason to go is because I hope it will be an opportunity to
play brass several hours a day, and get my lip closer to the
kind of shape the people who played in band in high school for
several hours a day have.

Amherst is lots of things to lots of people, and in the past
I’ve used it to do lots of singing and recorder playing. So I’m a
little nervous that they won’t read (or won’t believe) what I
wrote on the form:

Q: What are your primary interests and goals for this
workshop?

A: play brass instruments all day every day.

I did do as instructed and put second and third choices for all
the class periods, and of course there aren’t always 3 classes
suitable for brass instruments, so they might screw up and give me
a recorder class.

If it’s a good recorder class, I’ll put up with it,
but it might be another ten years before I try to see if I can get
what I need for being an early brass player out of them.

If it’s one of those babysitting classes for 20 people of
varying abilities, I’ll just tell them I need the time to practice
or take a nap.

Not only might they be confused about what I want because it’s
different from what I wanted 10 and 15 and 20 years ago, but they
might make a judgement that my lip isn’t strong enough to play for
4 hours a day. This would certainly be true if I were playing
cornetto, but I routinely play 3 hour rehearsals on serpent, so
I’m sure 4 classes wouldn’t be a problem. And any reasonable
person would rather have my serpent playing in an ensemble than my
cornetto playing. At least after the first 10 minutes.

In any case, there’s lots of singing and dancing and eating
dormitory style with good people, and good concerts, so it will be
fun even if I still haven’t figured out how to convince them that
they want to develop early brass players who weren’t modern brass
players in high school.

I’ve set up a category for blogging about this experience.
You have even less time to blog at a workshop than you do at a
festival, so I don’t know how much blogging I’ll do while I’m
actually there. But I promise to tell you how it worked out afterward.

Daikon radish purée with sesame oil

This is one of the first ideas I stumbled on when I started
getting a farm share, and having vegetables I hadn’t thought of
cooking arriving in a box. I like daikon radish fine in small
quantities in stir fries or roasts, but if you have a meal-sized
portion, I think it’s good to take some of the bite out of it.

I braise it in water to cover (a lot will evaporate before it’s
cooked through). You can use stock if you like, but I don’t find
it necessary.

While it’s cooking to fork tenderness, you cook
some kind of grain to put it on. Here I like something that adds
a bit of flavor. I used quinoa today for lunch. Today, I had
garlic scapes, so I snipped one into small pieces and added it to
the braising liquid, after the daikon was starting to be cooked.

When the daikon is fork tender, you add a generous splash of
sesame oil and season with salt and pepper, and then mash it up however you
would make mashed potatoes. I use my Cuisinart
Smart Stick Hand Blender
.

I don’t usually have enough daikon radish to make this for
company, but the one time I did, they raved about it.

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Cloven tree

We had a violent storm a week ago. I’d been thinking about
taking Sunny to the dog park, and I noticed it was getting pretty
dark, so we went after the storm passed, and half a tree was
down. I haven’t gotten used to having the camera in my pocket
yet, so I didn’t take a picture of the part that was down, but
here’s what was left after the city had come by and cleaned it up
the following day.

[tree after storm]

Maple tree after losing half its volume in storm
[tree after storm, detail]

detail of Maple tree after losing half its volume in storm

Playing Lassus

My recorder teacher John
Tyson
, had his student recital yesterday morning. The room
was chosen for the acoustics rather than the lighting, so the
person I handed my pocket camera to got a lot of fuzzy or oddly
colored ones. But this one isn’t too bad.

[Playing Lassus]

Playing Lassus

I played two Renaissance duets with John, and a Brazilian Choros
with my sister on organ.

Sweater for Teddy

I’ve been reading Knitting
Ganseys
, and one of the suggestions (with pattern) is
that you make a small sweater, for a doll or a teddy bear, that
uses some of the techniques that are a little hard to envision
when you don’t actually have yarn and needles in your hands.

So I made the pattern sweater for my sister’s teddy bear:

[Teddy in his new sweater]

Teddy in his new sweater

Here’s a shot with a better view of the pattern (the back and
the front are the same:

[back]

Back, showing pattern detail

Doing a small sweater is a good idea — there were several
things about the pattern that I understood better doing them than
reading about them, and on the small sweater it didn’t take very
long, and wasn’t so difficult to rip out a few rows if you got
something wrong.

For instance, knitting the shoulder strap is a lot like turning
the heel on a sock, and it’s hart to see what’s going to happen
until you do it:

[arm detail]

detail of arm top and shoulder strap

There are some conventions for making sweaters for humans about
things like what percent of the chest stitches you want at the
neck. They don’t all work for teddy bears, so I had to take out
the decreased neck gusset because I couldn’t get the sweater over
Teddy’s head. It was still a tight fit even with no decreasing —
if I were doing it again, I’d leave more stitches at the neck and
fewer at the shoulders.

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