Your tax dollars at work

Phil Greenspun
has a post
about yet another example of your tax dollars at work harrassing
law-abiding citizens.

Maybe it’s always been dog-bites-man, and I’m just running into
it more often this summer. (See my posts about the
Gates arrest
and the
arrest of my next door neighbor.
)

There is definitely a generic problem with throwing money at
problems people think are important. When I was working in
scientific research, I got earthquake prediction money and
cancer research money for projects that were very loosely
related to earthquake prediction and cancer research. (In this
case, I’m not saying they were bad projects.)

So I think all this money people are giving the police because
they’re concerned about the public safety may need some more
thinking about. Having too many police with too little idea of
how to contribute to the public safety may well be making the
public less safe rather than more so.

Farm Share for One

I went to visit my family yesterday, and I think my sister was
a little disappointed that all I brought them were two melons
and a bunch of collard greens.

I got the share on the assumption that I wouldn’t cook that
much, but there wouldn’t be any trouble giving some away to
people who would, and it isn’t so expensive that if a few things
end up in the compost bin it isn’t a tragedy.

In general, it has been working out that way. The melons are a
problem because I don’t like them at all, and apparently neither
do some of the people I give things to. This week I had an
unusually large number of events to cook for, which accounts for
not having brought lettuce or beans to the family.

I did dither about what to do with the excess zucchini long
enough that they developed unsightly spots, so I think I’ll put
them in the compost bin, although probably the starving children
in India would be glad to have them.

If they eat zucchini in
India. If they don’t, the children would probably insist on
starving even if someone gave them lots of zucchini. My Polish
relatives tell the story of some well-intentioned food-relief
efforts from the US after World War II, where anyone in Poland
could get all the peanut butter they could eat, and it sat there
in the warehouse while starving people who’d never touched peanut
butter in their lives and weren’t going to start now died in
the streets.

In any case, my zucchini would have worse than unsightly spots
by the time it got to India, even if it weren’t more efficient
to send money to OXFAM or
somewhere than to mail zucchini to India. And I haven’t put
very much stuff in the compost bin.

I’ll be playing on September 20

Here’s part of the draft press release my sister sent me
yesterday. I’d show you the whole thing, except that she sent
it for editing to the participants, and they may want something
edited in or out. But there will be lots of music and some poetry reading and probably opportunities to join in.

Arts Around the Block
Church of the Holy Spirit, 190 Rock Street, Fall River
Sunday September 20, 2000 12:30 -4
THE CLASSICAL VENUE

Chapel:

1:30: Laura Conrad, Two ornamented renaissance standards by Diego
Ortiz, G-alto Recorder accompanied on Italian
Virginals: Douce Memoire, O Felici Occhi Miei

Sanctuary – Classical music:
3: Peter and the Wolf by Sergei Prokofiev. Led at the keyboard by
Judith Conrad, Jagan Nath Singh Khalsa, Violin as Peter, Ruth Shand,
Bassoon as Grandfather, Mike Shand, Baroque Flute as the bird, Dan
Moniz, clarinet as the cat, Carroll Grillo, soprano and alto saxophone
as the duck, Alan Powers as narrator.

Outside by the wall behind the cemetery (weather and noise level
permitting):

12:30 Laura Conrad, solo recorder music by Jacob Van Eyck, music to
stroll through the park to, in 17th century Holland

3:30 The Fall River Fipple Fluters:
The Night Watch by Anthony Holborne
Mozart Trio
Folk Songs from the British Isles (The Banks of Allen Waters,
Flow Gently Sweet Afton, Dashing Away with the Smoothing Iron, All
Through the Night, Londonderry Air)
Dowland Now O Now I Needs Must Part

further information Judith Conrad 508-674-6128, Judithconrad@mindspring.com

Laura Conrad, also a Durfee high graduate, now lives in Cambridge MA
where she directs the Cantabile Renaissance band and studies recorder
with John Tyson. She is playing recorder today; she also plays
serpent, an ancestor of the tuba which was widely used as the loudest
bass
instrument available between 1600 and 1850.

The Fall River Fipple Fluters are an amateur recorder-playing group
founded in 1991 by Judith Conrad. They play together for fun every
Friday at Four-thirty in Fall River. New members are always welcome,
willingness to try to learn recorder is the only requirement. They
play all sizes of recorder and many different styles of music, the
core repertoire being Western classical music from the 16th to the
18th centuries, the heyday of the recorder.. For further information
call Judith Conrad, 508-674-6128

I’m not listed in the Peter and the Wolf program, but
apparently everyone who comes will be invited to participate in
the finale, so I may bring a tuba or serpent or something, or just twitter on a recorder. I will definitely be playing with the Fipple Fluters.

Notice the new look

Yesterday, I went to post my blog entry, and discovered that a
lot of links on my blog didn’t work. I eventually discovered
that it wasn’t an isolated problem, but was an instance of this
attack.

Before I found that article, I had already done most of what
Lorelle suggests, except that instead of doing it in
situ
, I had moved from the web host (hostrocket) where I’ve had all of laymusic.org for several
years to the one where I’ve been putting SerpentPublications.org
(dreamhost). And done some
fiddling with the theme.

So I now have a brand new installation, with a different look,
and the same blog content.

I’m planning to move the whole laymusic.org content to the new
site, using the wordpress blog as a content management system.
I hope to finish this by mid-October, as that’s when I would
have to pay hostrocket some more money. That isn’t a hard
deadline, as of course I can move content as is from one host to
the other.

In any case, let me know what you think of the new look. If
there’s something you really like better about the old site, let
me know.

It felt like a lot more work than this, but what I did was set
up a child theme based on the Thematic theme, and modify
it to have:

  • A header that looks a bit more like the old
    one.
  • A sidebar that looks something like the old one,
    only better, I hope.
  • Slightly larger type, in the Arial font instead of Georgia.

A Graphic Example


[ebook on Sony reader]

A lot of non-technical people’s eyes glaze over when you start talking
about standard, non-proprietary formats. Mike
Cane
has come up with a graphic example of why you don’t
want one company owning the format of the books you read.

Apparently Sony requires any book sold for their reader in
their store to be formatted by them (at a cost of $200). And then
when they do it, it looks like that.

This hideous example is from Sony, for the Sony readers, but
the principle is the same for any proprietary format — if they
won’t tell you how to do it, you’re stuck with them doing it for
you, and you may well not like what they do.

This is why I don’t put music in proprietary formats on SerpentPublications.org.

Turning space into money

An advantage of the dog park being open again is that I get to
talk to people who do things I wouldn’t normally be involved in. A couple of nights ago,
the owner of a sprightly two-year-old terrier named Demon was
talking about all the good deals in used motorcycles you can get
this time of year.

Apparently, if you don’t have the space to store your
motorcycle for the winter, you sell it in the fall for very little money to
someone who does.

So my friend, who doesn’t personally have any more space than
anyone else who lives in a Cambridge apartment, was salivating
over the deals he’s been seeing in the used motorcycle market, and
wondering how many bikes he can convince his parents to store for him.

Pretending to go a Maying

The new piece the Cantabile
Renaissance Band
played last night was by Thomas
Morley
from the Triumphs
of Oriana.
This is a collection of madrigals by most of the
famous composers of the day (1603). They must have been the sort
of music that was played for Queen Elizabeth when she went to
visit her nobles to keep them spending their money on
conspicuous consumption rather than on raising armies to rebel
against her.

You can read what I said about the music on the
Serpent Publications Blog
, but we found the words
interesting as well, particularly the lines:

A Prince,
of beauty rich and rare,
for her delighting,
Pretends to goe a Maying,

We weren’t quite sure what that meant. One idea that occured
to us during the beer-drinking part of the meeting, where we
were discussing our gardens, was that it wasn’t May, but the
prince had too much zucchini in his garden, so he was leaving
them on his neighbors’ doorsteps and ringing the doorbell and
then running away.

Another idea I had was that it was the kind of Maying that led
to teenage pregnancy that he was pretending to do, which the
Queen wouldn’t have really wanted to do, but might have enjoyed
having a beautiful man pretend to want to do it with her.

In any case, your guess is at least as good as mine, so feel
free to leave your ideas in the comments.

Coffee making ritual

A couple of months ago, I mentioned that I’d
started roasting my own coffee, and said that when my coffee
making ritual settled down, I’d do a better description of it.

The roasting doesn’t really add as much time as abandoning the
automatic coffee maker did, but in any case, except for the
grinding, it’s mostly time when
you’re free to putter around the kitchen, and if you cook at all,
you need to spend at least that much time every day puttering
around the kitchen. If you don’t, you can use the time to make no
knead bread.
(More about that later. I just bought the book,
and my first batch is doing its second rising as I write
this.)

Normally I would give you links to Amazon, since I have an associate
account, and if you bought stuff by following my links, I would
get some money. In this case, they don’t seem to have any of my
exciting new coffee equipment, so I’ll just link you to SweetMaria’s, with whom I
have no relationship except that of a satisfied customer.

My coffee roaster is the Fresh Roast
Plus 8
coffee roaster, which I bought with the sampler of 8
different kinds of decaf coffee. They were all good coffee, but 3
stood out as the kind of coffee I especially like, so when I
finished the sampler, I ordered more of the ones from Costa Rica,
Ethiopia, and Sumatra. They also have a blend specially
formulated for making French Roast. This hadn’t been in the
sampler, but I wanted to try it, so I ordered some of that, too.
I generally like commercially roasted coffee best in the French
roast, but I think this isn’t true for home-roasted coffee, so
I’ll probably not repeat the French roasting experiment.

The coffee roaster makes three batches of the size I make these
days (about two mugs worth). So on a day when I need to roast
more, I put the tea kettle on to boil the water and put two large
scoops of coffee in the roaster and turn it on.

Then I grind the coffee for this batch in the Zassenhaus knee
mill
.

The brewer I’m using these days is the Clever
Coffee dripper,
which looks like a normal #4 coffee filter,
but has a valve on the hole in the bottom which is closed when the
filter is on the counter, but open when you put it on top of a mug
or thermos. This means you can grind the coffee as coarsely as
you like it, which makes the grinding easier than for a regular
filter, and then brew it in the filter, which makes the cleaning
easier than a French Press brewer would be.

Before putting the filter in the brewer, I rinse out the brewer
and make sure that opening the valve produces an enthusiastic
stream of water. Then I put the filter in the brewer, and put my ground
coffee into the filter.

When the water boils, I pour a little bit into the brewer,
and then wait while it wets the grounds, and then fill the cone up
and set the timer. I set it for 5 minutes these days since I’m
doing French roast, but when I’m doing a lighter roast I do it for
3 or 4 minutes.

When the timer rings, I put the brewer on top of my thermos and
wait for the coffee to drain into the thermos, pour myself one
mug, close the thermos to keep the second mug warm, and come upstairs
here to write my blog post.

One thing I especially like about this system is that I don’t
have any actual measuring steps at all. When the roasted
coffee beans are cool and ready to go into a jar, I take three
identical jars and eyeball putting equal amounts into each jar.
When I have boiling water, I just fill up the brewer.

http://rcm.amazon.com/e/cm?t=laymusicorg-20&o=1&p=8&l=as1&asins=0470399864&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifr

Tablature and lilypond

If all you’re doing is entering notes, you can probably take
lilypond from 15 years ago, run it through the automatic updater,
and get your music typeset by current lilypond, using all the
improvements made by all the developers since then.

If you have lyrics, they did something 8 years or so ago that
the automatic upgrader doesn’t deal with, so you have to manually
change two or three lines per part to use the current version. This is why there’s still a
lot of old lilypond on my music publishing
site
. But it’s certainly possible to use 10 year old work
with current lilypond.

If you want tablature, someone who actually has tablature may
have figured out something better than what I can see. What it
looks like from here is:

  • Some time in 2003, I spend some time figuring out how I
    would have to enter Dowland’s tablature if that were what I
    wanted to do. I actually had a measure or two entered, and I
    got some help writing a scheme function so that it would look
    more like what’s printed in the Dowland facsimiles. I didn’t at
    the time have any real use for the tablature, so I didn’t bother
    entering more than that measure. However, in 2007 I decided a
    few of the Dowland third book pieces didn’t really make sense
    musically without the lute part, so I attempted to enter the
    tablature, and found that all the work I’d done 4 years before
    was useless. I translated the tablature into standard notation,
    and didn’t do anything about having it as tablature.
  • This last week, someone from the recorder mailing
    list
    offered to help me proofread tablature, so I took a
    look at what lilypond has now. It would clearly be a fair amount of
    work to get from the notation I have (for a few pieces) to
    anything that looks like what Dowland printed, but I found a post
    on the LUTE
    mailing list
    from last year claiming that they had something
    useful. However, this may have worked with lilypond 2.10, but it
    no longer works with lilypond 2.12.

Now I didn’t spend a lot of time figuring out what has changed
about tablature between 2.10 and 2.12, and it could be that it’s a
trivial problem that just didn’t get into convert-ly by accident,
and if I wrote a bug report it would get fixed immediately. But
since I’ve done considerable work on tablature over the years, all
of which is completely useless with current lilypond, and of
course I still have several projects on the website with a fairly
tight deadline of mid-October. So I’m not going to do any more
work right now. But if any of you feel differently, and do get to
where there’s useful French lute tablature coming out of lilypond 2.12,
please let me know about it.

Meanwhile, I should mention that abctab2ps was
already producing useful tablature 10 years ago, and has
presumably improved. I stopped using it since tablature by itself
is of limited use to me, and there wasn’t any way to get from the
abctab2ps input to standard notation. But another possibly useful
program would translate the tab (plus the tuning information) into ABC or lilypond.

RIP, Senator Kennedy

I’ve been thinking quite a bit about Ted Kennedy since he died
a couple of days ago. I grew up in Massachusetts, so via the
miracle of television, he’s spent a lot of time in my living room,
even though I didn’t know him personally, and I only remember once when
we were in the same (large) room together.

Many other people have been analyzing how his work in the
senate shaped America as we know it today. I’ll just tell you a
couple of personal stories.

Chapaquiddick

The speech he gave where he offered to resign is the other
television event I remember from the summer of 1969, besides the
moon landing.
It was a well-delivered speech, and an effective piece of persuasive
writing. The person who is usually credited with writing it,
Theodore Sorenson, was proposed as head of the CIA in the Carter
administration, but the appointment was withdrawn. I remember one
of the arguments against it being that he had written that speech,
which may have contained some lies, and certainly didn’t tell the
whole truth. At the time, I was surprised that the opposition
would have been stated that way, since I don’t see how never
having told a lie or suppressed a truth can possibly be a
qualification for being head of an intelligence agency.

Money from an insurance company

The only time I actually called on him for help as a
constituent, his staff was quite effective. I had been using what
was then called Harvard Community Health Plan (HCHP), one
of the original
manged care organizations, for my health care for about 15 years.
I had been fairly satisfied with the care I’d received, but once I
became a contractor and no longer had my coverage paid for by my
employer, I found dealing with their billing organization
increasingly annoying. The last straw was when they wrote that
they were cancelling my policy because they hadn’t gotten my check
on time. (It had actually crossed that letter in the mail.)

I went into a frenzy of letter writing, and wrote to their
billing that they
weren’t cancelling me, I was cancelling them, and wrote letters to
the two doctors I had a relationship with explaining what was
happening.

When they didn’t return the check I’d sent after a month or
so, I wrote to Senator Kennedy, explaining the situation. In
fact, I was more concerned that he be aware that individuals were
having this kind of problem retaining coverage than that he get me
my check. I had both a diabetes and an asthma diagnosis at this
point, and I suspected HCHP of cherry-picking, and also of not
really wanting to deal with billing individuals. His office sprang into action and called both the
HCHP billing office and the Massachusetts Insurance
Commission.

Less than a week after writing that letter, on the same day I got a letter in
the regular mail from Senator Kennedy’s office saying what they’d
done, and how I should follow up if I didn’t receive my check in a
week, and an express delivery of the check from HCHP.

Cancer diagnosis

I heard of Senator Kennedy’s cancer diagnosis while I was on my
way to pick up Bonnie’s
belongings from the hospice two days after she died. I remember
wondering how much difference it would make that he was richer,
more powerful, and maybe more knowledgeable about the health care
system than Bonnie had been.

The answer seems to be quite
a lot.
He was getting out of bed most days until the actual
day he died; he was at home with his family and friends and dogs
until the end; and while the brain surgery did affect his vision
and motor skills, he continued to do what he loved doing,
including sailing and writing letters until almost the very end.

Of course, it may well have been just the luck of the draw that
his surgery left him relatively unimpaired and Bonnie’s left her
unable to speak or move her left side, but it may well also have been a
difference in quality of care. If it happens to me, I hope I get
closer to the kind Kennedy got than the kind Bonnie got.